CACrown ArchivesThe cinema collection
Menu
Research dossier · Arts & Letters

Highwayman 2

1990 studio album by The Highwaymen

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionApr 10, 2026
Entity authorityQ3509649
Source-derived summary

Highwayman 2 is the second studio album released by American country supergroup the Highwaymen. This album was released in 1990 on the Columbia Records label. Johnny Cash had left Columbia several years earlier, making this a "homecoming", and ultimately his final work for Columbia as the next Highwaymen album would be issued on another label.

Recording and tour

Chips Moman again resumed production duties for the second Highwaymen album. Moman, who had enjoyed tremendous success recording Nelson throughout the eighties, gave the album a contemporary sound for the time, although it may not have aged well; AllMusic contends the album "suffers from an overall homogenous and dated 1980s studio sound." Kristofferson biographer Stephen Miller notes, "Moman produced in such a fashion – prominent drums, electric guitars, and organs – as to bring rock values to songs that, with a different approach, could just as easily have been pure country."

The Highwaymen tour to promote the album was a success, playing to over 55,000 fans at the opening gig at the Houston Livestock Show and Rodeo, and the rest of the tour attracted near sell-out audiences despite Cash suffering from a broken jaw. There were rumours of clashing egos and flare-ups, in part fuelled by Kristofferson's penchant for sounding off on his political views and opposition to American foreign policy. While Kristofferson was honoured to be among the Highwaymen's ranks, he didn't shy away from expressing his political views on occasion – even though this risked displeasing the audience, not to mention members of the band and crew who reputedly held up signs saying, “That doesn’t go for me.” It rankled Jennings in particular, who revealed in the A&E's Kristofferson episode of Biography, “We came very close a couple of time to punching it out. I didn’t say he was all wrong, the main thing I was sayin’ was he shouldn't’ve been doin’ it onstage, especially with three other people on there who didn't share all of his thoughts.” In his 2015 autobiography My Life, Nelson dismisses the idea of rancor, writing “Rumors spread that Waylon, Johnny, Kris, and I were having ego problems and fighting like cats an dogs. The rumours were bullshit. We saw it as one nonstop transcontinental party…I don’t mean that we didn’t get a little cranky from time to time…For the most part, though, it was smooth sailing.”

Reception

Highwayman 2 spent 40 weeks on the country chart, peaking at number 4.

Editorial summary

The public source identifies “Highwayman 2” as 1990 studio album by The Highwaymen. This brief keeps that definition visible, then builds a research path around Highwayman, studio and album.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1990, 2015—that can be checked directly. The linked authority record independently contributes the date 1990. Its value is orientation rather than verdict, with Highwayman, studio and album providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Highwayman 2”, the useful work is to connect “1990 studio album by The Highwaymen” to the records capable of establishing context and consequence.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Apr 10, 2026. The linked authority identifier is Q3509649. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1990 and 2015.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Highwayman 2”, its source revision and the description used here.
  2. Expand the search: follow Highwayman 2 primary sources, Highwayman 2 archive and Highwayman research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Highwayman 2”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from Highwayman 2” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.