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Master of the World (1934 film)

1934 film by Harry Piel

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMay 16, 2026
Entity authorityQ6785332
Source-derived summary

The Master of the World (German: Der Herr der Welt) is a German science fiction film first released in 1934. Directed by Harry Piel, the story features a villain who is trying to conquer the world using "Überrobots". The film was released in the U.S. in 1935.

Its themes are the ethical replacement of human labor by robots, and the threat to humanity by robots used as war machines.

Synopsis

Machine manufacturer Dr Erich Heller is a humanist visionary who hopes that the mechanisation of the world of work will lead to an all-round improvement in living conditions for the working man. He wants his ‘machine men’, his robots, to be used particularly in the mines, where miners often carry out highly dangerous and physically demanding work. Heller mistakenly considers his most capable scientist, Professor Wolf, the most important supporter of his vision of a ‘better working world’. Unbeknownst to him, Wolf has long been pursuing his own agenda. He wants to achieve world domination by creating a ‘super robot’, a deadly, invincible ‘fighting machine’.

On a business trip, Heller inspires fellow traveller Werner Baumann, a mining engineer, with his vision of man and machine merging into a single entity to the benefit of mankind.

Editorial summary

“Master of the World (1934 film)” enters the record as 1934 film by Harry Piel. Crown Archives preserves that source wording while asking what Master, World and film can confirm, complicate or overturn.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1934, 1935—that can be checked directly. The linked authority record independently contributes the date 1934-01-01. Its strongest next move is a source search built around Master, World and film.
Editorial analysis

Why this record matters

“Master of the World (1934 film)” is worth following because a concise public description often conceals a longer documentary argument. Here, Master, World and film provides the most credible route into that argument.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated May 16, 2026. The linked authority identifier is Q6785332. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1934 and 1935.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Master of the World (1934 film)”, its source revision and the description used here.
  2. Expand the search: follow Master of the World (1934 film) primary sources, Master of the World (1934 film) archive and Master research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Master of the World (1934 film)”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from Master of the World (1934 film)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.