CACrown ArchivesThe cinema collection
Menu
Research dossier · Arts & Letters

Hermione Darnborough

British ballet dancer

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMar 3, 2026
Entity authorityQ5741668 ↗
Source-derived summary

Hermione Maria Louise Darnborough (1915 – 29 October 2010), later Hermione Mathieson, was an English principal ballerina who made her name at Sadler's Wells in the 1930s. She retired at a young age after marrying the conductor and composer Muir Mathieson.

Background

Hermione Darnborough came from a wealthy and well-connected family in Weybridge, Surrey. On the side of her "glamorous and determined" mother, Frances, she was a cousin of the Duke of Argyll and the Duke of Portland. Her American father, Bill (or Billy) Darnborough (1869–1958), a former minor league baseball player and chop house owner who amassed a small fortune at roulette in the early years of the twentieth century, has been described as "the man who broke the bank at Monte Carlo, though ... [l]ike many an habitual gambler, he would generally lose his winnings at the next turn of the wheel, and it took all his wife's pleading to persuade him to stop". Her brother was the film producer Antony Darnborough (1913–2000), whose sister-in-law, journalist Drusilla Beyfus (1927-2026), married theatre critic Milton Shulman and was mother of Alexandra Shulman, editor of British Vogue from 1992 to 2017, and Nicola Shulman, later Marchioness of Normanby.

Career landmarks

Early promise

In 1929, at the age of 14, Darnborough auditioned for the Russian impresario Serge Diaghilev during the final season that the highly influential Ballets Russes performed in London. He was evidently impressed and asked to see her again in three years time, but nothing came of this as he died a few weeks later in Venice.

From an early age, Darnborough took part in a range of productions, including charity matinées and Christmas pantomimes.

Editorial summary

The public source identifies “Hermione Darnborough” as british ballet dancer. This brief keeps that definition visible, then builds a research path around Hermione, Darnborough and British.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1915, 2010, 1869, 1958—that can be checked directly. The linked authority record independently contributes the date 1915-08-30. Its value is orientation rather than verdict, with Hermione, Darnborough and British providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Hermione Darnborough”, the useful work is to connect “british ballet dancer” to the records capable of establishing context and consequence.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Mar 3, 2026. The linked authority identifier is Q5741668. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1915, 2010, 1869 and 1958.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Hermione Darnborough”, its source revision and the description used here.
  2. Expand the search: follow Hermione Darnborough primary sources, Hermione Darnborough archive and Hermione research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Hermione Darnborough”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Where is authorship, date or provenance documented?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from “Hermione Darnborough” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.