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Hermelindo Fiaminghi

Brazilian painter and graphic designer (1920-2004)

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionDec 7, 2025
Entity authorityQ10295124
Source-derived summary

Hermelindo Fiaminghi (October 22, 1920 – June 29, 2004) was a Brazilian painter, designer, graphic designer, lithographer, professor, and art critic, known for his geometric works and exploration of color.

Early life and education

Fiaminghi was born in São Paulo, Brazil, the son of Italian immigrants.

From 1936 until 1941, Fiaminghi studied at the Liceu de Artes e Ofícios de São Paulo. While at art school, Fiaminghi took drawing and porcelain painting courses with Giglio as well as courses with Odetto Guersoni, Lothar Charoux, and Waldemar da Costa. Fiaminghi also attended courses in art history held at Da Costa's studio. At the studio he meets many fellow artists, including Clóvis Graciano and Maria Leontina.

In 1942, Fiaminghi began studying with the painter Angelo Simeone at the Associação Paulista de Belas Artes, as well as studying advertising at Associação Paulista de Propaganda and the Instituto de Ciências e Letras Inglesa (Redschow School).

From 1959 to 1966, Fiaminghi attended Alfredo Volpi's studio.

Career

From 1936 to 1939, Fiaminghi worked at Companhia Melhoramentos, where he did book illustration and lithography.

After a job at another lithography company in 1940, Fiaminghi worked at Companhia Lithographica Ypiranga from 1941 to 1944, where he saw the lithographer, Lasar Segall, create his Mangue series, which showed the poverty in the slums of Rio de Janeiro.

Editorial summary

The public source identifies “Hermelindo Fiaminghi” as brazilian painter and graphic designer (1920-2004). This brief keeps that definition visible, then builds a research path around Hermelindo, Fiaminghi and Brazilian.

Editorial reviewStrongest as a route into the people, institutions and dated events that shaped the subject’s public record. The current lead gives the account dated anchors—1920, 2004, 1936, 1941—that can be checked directly. The selected authority fields contribute no independent date. Its value is orientation rather than verdict, with Hermelindo, Fiaminghi and Brazilian providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Hermelindo Fiaminghi”, the useful work is to connect “brazilian painter and graphic designer (1920-2004)” to the records capable of establishing context and consequence.

Evidence profile

Chronology provides the most reliable spine for this subject; interpretation should follow only after identities and dates are secure. The source revision retrieved here is dated Dec 7, 2025. The linked authority identifier is Q10295124. The first chronological checks are 1920, 2004, 1936 and 1941.

Critical limits

Later biographies can compress uncertainty and repeat inherited reputations, so apparently settled claims may still require comparison. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
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Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Hermelindo Fiaminghi”, its source revision and the description used here.
  2. Expand the search: follow Hermelindo Fiaminghi primary sources, Hermelindo Fiaminghi archive and Hermelindo research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Hermelindo Fiaminghi”?
  2. How has the subject’s reputation changed across later accounts?
  3. Which claims depend on a single source or contested interpretation?
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Source & attribution

This entry incorporates text from Hermelindo Fiaminghi” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.