Stay with the Hollies
1964 album by The Hollies

Stay with the Hollies, also known by its American release title Here I Go Again, is the debut studio album by the English rock and pop band the Hollies, released in January 1964 on Parlophone Records. In Canada, it was released on Capitol in July 1964, with a different track listing. In the US, Imperial Records issued the album under the title Here I Go Again in June 1964 to capitalize on the moderate success of the singles "Here I Go Again" (No. 107) and "Just One Look" (No. 98). It also features covers of well-known R&B songs, not unusual for Beat groups of the day.
Background
After the success of the Liverpool-based group the Beatles, many artists and repertoire men from London-based record labels went to Liverpool in search of other beat groups. When Ron Richards from Parlophone visited Liverpool in early 1963, the group playing that night at the Cavern Club was the Hollies, who were actually from Manchester. Richards promptly signed them to Parlophone, which was also the Beatles' label.
Recording, production and songs
After the group was signed to Parlophone, the Hollies made their studio recordings at EMI Studios, located on Abbey Road in London – which later had its name changed to Abbey Road Studios.
This brief starts where responsible research should: with the source description of “Stay with the Hollies” as 1964 album by The Hollies. Everything that follows is an evidence route, not borrowed authority.
Why this record matters
The subject matters to the arts & letters register because the source frames it as 1964 album by The Hollies. Its deeper value depends on whether names, dates, institutions and citations support that framing.
Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Sep 21, 2026. The linked authority identifier is Q2146303. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1964 and 1963.
Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.
- Identifying works and editions
- Tracing reception history
- Finding collection records
The original object or edition, catalogue raisonné, performance record, rights file and holding institution.
Three-step research path
- Establish the record: confirm the title “Stay with the Hollies”, its source revision and the description used here.
- Expand the search: follow Stay with the Hollies primary sources, Stay with the Hollies archive and Stay research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Stay with the Hollies”?
- Where is authorship, date or provenance documented?
- Which edition, object, performance or recording is being described?
Search terms from this dossier
This entry incorporates text from “Stay with the Hollies” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.