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Henry T. Weinstein

American film producer (1924-2000)

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 4, 2026
Entity authorityQ5728970 ↗
Source-derived summary

Henry T. Weinstein (July 12, 1924, Brooklyn, New York City, United States – September 17, 2000, Boca Raton, Florida, United States) was an American film producer.

Biography

Born and raised in Brooklyn, Weinstein graduated from City College of New York and earned a master's degree in drama from Carnegie Institute of Technology. He began his theatre work as a director at playhouses in Falmouth and Norwich, and was the stage manager for The Innocents on Broadway.

Weinstein was the general manager of the Falmouth Playhouse on Cape Cod for two years, at which he premiered A View from the Bridge by Arthur Miller, before joining Philip Langner as co-manager in 1958 at the Westport Country Playhouse. Weinstein and Langner packaged shows for the summer stock theatre circuit.

When Langner left in 1959, Weinstein brought in Laurence Feldman, whom he had worked with on the Theatre Fund, as co-producer and partner. Weinstein operated the Westport Playhouse until 1961, and Feldman continued through 1963. Weinstein and Feldman formed the Laurence Henry Company for their producing and packaging company. They purchased the lease of the Paper Mill Playhouse (Millburn, New Jersey) in 1960, the Mineola Playhouse (Long Island, New York) in 1962, and the Brown Theatre (Louisville, Kentucky) in 1963.

Weinstein joined the Westport Playhouse again in the mid-1970s as artistic director, returning to movies and television after the 1978 season.

Editorial summary

The public source identifies “Henry T. Weinstein” as american film producer (1924-2000). This brief keeps that definition visible, then builds a research path around Henry, Weinstein and American.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1924, 2000, 1958, 1959—that can be checked directly. The linked authority record independently contributes the date 1924-07-12. Its value is orientation rather than verdict, with Henry, Weinstein and American providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Henry T. Weinstein”, the useful work is to connect “american film producer (1924-2000)” to the records capable of establishing context and consequence.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Aug 4, 2026. The linked authority identifier is Q5728970. VIAF identifies the subject as 10077134. The Library of Congress control number is no2019045064. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1924, 2000, 1958 and 1959.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Henry T. Weinstein”, its source revision and the description used here.
  2. Expand the search: follow Henry T. Weinstein primary sources, Henry T. Weinstein archive and Henry research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Henry T. Weinstein”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from “Henry T. Weinstein” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.