Harto the Borges
2000 film by Eduardo Montes Bradley

Harto the Borges is a documentary film by Eduardo Montes-Bradley. Harto the Borges explores the narcissistic side of Jorge Luis Borges, the author of El Aleph, his frequent and often criticized comments to the press, his distinctive and gentle ironies. Harto The Borges had a theatrical release in Buenos Aires in September 2000, and was well received by the critics. Since then has been frequently exhibited at forums, campuses, and film festivals. On October 4, 2011, Harto the Borges was presented at the University of Salamanca, and made available to the general audience in Argentina through the On Line version of Revista Cultura Ñ, (Diario Clarin) in Buenos Aires. The film was released alongside an article in which the director views the film ten years after its premier at the Cine Cosmos. The film is currently available on Vimeo. Harto the Borges was presented at the Festival Internacional del Nuevo Cine Latinoamericano, Havana, Cuba, 2000 and nominated for Premio Cóndor de Plata.
Synopsis
Borges emerges as a counterpoint to the interviewees, some of which evoke scandal and most of which cut through stereotypes and presuppositions surrounding this key figure. The title of the film is a direct reference to the poem "Borges and I", slightly modified to pay a tribute to the writer's billings.
Begin with the source’s own compact description: “Harto the Borges” is 2000 film by Eduardo Montes Bradley. The dossier treats that line as a proposition to test through Harto, Borges and film, not as a finished interpretation.
Why this record matters
The phrase “2000 film by Eduardo Montes Bradley” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.
Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Sep 10, 2026. The linked authority identifier is Q5675107. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2000 and 2011.
Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.
- Identifying works and editions
- Tracing reception history
- Finding collection records
The original object or edition, catalogue raisonné, performance record, rights file and holding institution.
Three-step research path
- Establish the record: confirm the title “Harto the Borges”, its source revision and the description used here.
- Expand the search: follow Harto the Borges primary sources, Harto the Borges archive and Harto research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Harto the Borges”?
- How did later circulation or interpretation alter the work’s reception?
- Which edition, object, performance or recording is being described?
Search terms from this dossier
This entry incorporates text from “Harto the Borges” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.