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Hans in Every Street

1930 German crime film by Carl Froelich

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMay 11, 2026
Entity authorityQ28196203 ↗
Source-derived summary

Hans in Every Street (German: Hans in allen Gassen) is a 1930 German crime film directed by Carl Froelich and starring Hans Albers, Camilla Horn, and Betty Amann. A separate French-language version was also released.

The film's sets were designed by the art director Franz Schroedter.

Cast

References

Bibliography

Bock, Hans-Michael; Bergfelder, Tim, eds. (2009). The Concise Cinegraph: Encyclopaedia of German Cinema. New York: Berghahn Books. ISBN 978-1-57181-655-9.

Editorial summary

Begin with the source’s own compact description: “Hans in Every Street” is 1930 German crime film by Carl Froelich. The dossier treats that line as a proposition to test through Hans, Every and Street, not as a finished interpretation.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1930, 2009—that can be checked directly. The linked authority record independently contributes the date 1930-12-23. For this dossier, Hans, Every and Street is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “1930 German crime film by Carl Froelich” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated May 11, 2026. The linked authority identifier is Q28196203. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1930 and 2009.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Hans in Every Street”, its source revision and the description used here.
  2. Expand the search: follow Hans in Every Street primary sources, Hans in Every Street archive and Hans research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Hans in Every Street”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
Subject index

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Source & attribution

This entry incorporates text from “Hans in Every Street” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.