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Henry Fuseli

Swiss born British painter, draughtsman and writer on art (1741–1825)

Correspondence, annotated notebooks and portrait silhouettes prepared for research
People and ideasInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 5, 2026
Entity authorityQ122382
Source-derived summary

Henry Fuseli ( FEW-zə-lee, few-ZEL-ee; German: Johann Heinrich Füssli [ˈjoːhan ˈhaɪ̯nʁɪç ˈfyːsli]; 7 February 1741 – 17 April 1825) was a Swiss painter, draughtsman, and writer on art who spent much of his career in Britain.

Many of his successful works depict supernatural experiences, such as The Nightmare. He produced painted works for John Boydell's Shakespeare Gallery and for his own "Milton Gallery". He held the posts of Professor of Painting and Keeper at the Royal Academy. His style had a considerable influence on many younger British artists, including William Blake (1757–1827).

Biography

Fuseli was born on 7 February 1741 in Zürich, the second of 18 children. Among his brothers and sisters were Johann Kaspar and Anna. His father was Johann Caspar Füssli, a painter of portraits and landscapes, and author of Lives of the Helvetic Painters. He intended Henry for the church, and sent him to the Caroline college of Zürich, where he received a classical education. One of his schoolmates there was Johann Kaspar Lavater, with whom he became close friends.

Editorial summary

Begin with the source’s own compact description: “Henry Fuseli” is swiss born British painter, draughtsman and writer on art (1741–1825). The dossier treats that line as a proposition to test through Henry, Fuseli and Swiss, not as a finished interpretation.

Editorial reviewA productive starting point for separating a subject’s documented career from later reputation and commemoration. The current lead gives the account dated anchors—1741, 1825, 1757, 1827—that can be checked directly. The authority record carries competing date values—1741-02-07, 1741-02-06, 1741-01-01—which should remain separate until their references and qualifiers are resolved. For this dossier, Henry, Fuseli and Swiss is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “swiss born British painter, draughtsman and writer on art (1741–1825)” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Biographical claims are most persuasive when dates, appointments and relationships can be traced to records created close to the events described. The source revision retrieved here is dated Aug 5, 2026. The linked authority identifier is Q122382. VIAF identifies the subject as 53061. The Library of Congress control number is n79021856. 5 of 5 selected statements include explicit references; 0 carry qualifiers and 1 use preferred rank. The first chronological checks are 1741, 1825, 1757 and 1827.

Critical limits

A concise life account rarely captures disputed attribution, private networks or the changing language used to describe a career. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
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Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Henry Fuseli”, its source revision and the description used here.
  2. Expand the search: follow Henry Fuseli primary sources, Henry Fuseli archive and Henry research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

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  3. Which primary records establish identity, chronology and institutional ties?
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Source & attribution

This entry incorporates text from Henry Fuseli” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.