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Greatest Hits: The Queen of African Pop (1964–2004)

album by Brenda Fassie

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 6, 2026
Entity authorityQ55612965 ↗
Source-derived summary

Greatest Hits: The Queen of African Pop (1964–2004) is a posthumous greatest hits album by South African Afro-pop singer Brenda Fassie. The album was released on November 30, 2004 via EMI Music Distribution.

Background

Fassie died aged 39 on 9 May 2004, in hospital in Sunninghill without returning to consciousness after her life support machines were turned off following an asthma attack which led to cardio-respiratory arrest and subsequent brain damage.

The album was released months after her death. The album features a selection of Fassie's greatest hits including "Weekend Special", "Vulindlela", "Black President" and more from previous albums. The album also includes notes written by her son Bongani "Bongz" Fassie.

EMI donated the sales of the album to the Nelson Mandela HIV/AIDS 46664 foundation to help improve the lives of those infected and affected by the disease all over Africa.

Critical reception

In a positive review for AllMusic, Wade Kergan said, "Brenda Fassie's best-known song is the Afro-pop R&B crossover "Weekend Special," which introduced her strong voice and polished productions to the world outside of her South African home. It wasn't an overnight success, though. "Weekend Special" was recorded in 1983 and slowly gained momentum until it finally snuck into the Billboard charts in 1986, opening doors to world tours and a seat among the elite of Afro-pop.

Editorial summary

This brief starts where responsible research should: with the source description of “Greatest Hits: The Queen of African Pop (1964–2004)” as album by Brenda Fassie. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1964, 2004, 1983, 1986—that can be checked directly. The linked authority record independently contributes the date 2004. The account is most persuasive where Greatest, Hits and Queen can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as album by Brenda Fassie. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Jul 6, 2026. The linked authority identifier is Q55612965. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1964, 2004, 1983 and 1986.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Greatest Hits: The Queen of African Pop (1964–2004)”, its source revision and the description used here.
  2. Expand the search: follow Greatest Hits: The Queen of African Pop (1964–2004) primary sources, Greatest Hits: The Queen of African Pop (1964–2004) archive and Greatest research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Greatest Hits: The Queen of African Pop (1964–2004)”?
  2. Which edition, object, performance or recording is being described?
  3. Where is authorship, date or provenance documented?
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Source & attribution

This entry incorporates text from “Greatest Hits: The Queen of African Pop (1964–2004)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.