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Research dossier · Arts & Letters

Good to Go (Terrorvision album)

album by Terrorvision

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMar 8, 2024
Entity authorityQ16840601 ↗
Source-derived summary

Good to Go is Terrorvision's final studio album, prior to their breakup in 2001. The sound of this album continues the band's musical evolution, with more electronic instruments and effects than previous albums. D'ya Wanna Go Faster was released as the first single, entering the singles chart at number 28 on February 21, 2001 for one week. Fists Of Fury was going to be released as the second single but instead was only sold as a limited edition blue vinyl release by the distributor.

Editorial summary

“Good to Go (Terrorvision album)” enters the record as album by Terrorvision. Crown Archives preserves that source wording while asking what Good, Terrorvision and album can confirm, complicate or overturn.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—2001—that can be checked directly. The linked authority record independently contributes the date 2001. Its strongest next move is a source search built around Good, Terrorvision and album.
Editorial analysis

Why this record matters

“Good to Go (Terrorvision album)” is worth following because a concise public description often conceals a longer documentary argument. Here, Good, Terrorvision and album provides the most credible route into that argument.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Mar 8, 2024. The linked authority identifier is Q16840601. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2001.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Good to Go (Terrorvision album)”, its source revision and the description used here.
  2. Expand the search: follow Good to Go (Terrorvision album) primary sources, Good to Go (Terrorvision album) archive and Good research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Good to Go (Terrorvision album)”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Where is authorship, date or provenance documented?
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Source & attribution

This entry incorporates text from “Good to Go (Terrorvision album)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.