Sunday Morning with Nat Stuckey and Connie Smith
album by Nat Stuckey

Sunday Morning with Nat Stuckey and Connie Smith is the second collaborative studio album by American country artists Nat Stuckey and Connie Smith, released in January 1970 by RCA Victor. The album was a collection of country gospel songs performed as duets by both artists and the pair's first album of religious music. Included was the song "If God Is Dead (Who's That Living in My Soul)". Released as a single, the song charted in the top 60 of the American country chart in 1970. The album received a positive review from Billboard magazine following its release. In 2002, the album was re-released under the title God Will and included a twelfth track.
Background
Nat Stuckey and Connie Smith were signed to the RCA Victor label as solo artists during the 1960s. After first breaking through with the 1966 top five single "Sweet Thang", Nat Stuckey had several more top ten singles with RCA including "Plastic Saddle". In 1964, Connie Smith's career was launched with her debut single called "Once a Day". Spending eight weeks at the top of the American country chart, the song set forth a series of top ten singles during the decade on RCA. The duo first collaborated together in 1969 with the country studio album Young Love.
The public source identifies “Sunday Morning with Nat Stuckey and Connie Smith” as album by Nat Stuckey. This brief keeps that definition visible, then builds a research path around Sunday, Morning and Stuckey.
Why this record matters
A short description can identify a subject without explaining its stakes. For “Sunday Morning with Nat Stuckey and Connie Smith”, the useful work is to connect “album by Nat Stuckey” to the records capable of establishing context and consequence.
Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Jun 2, 2025. The linked authority identifier is Q7639476. The first chronological checks are 1970, 2002, 1966 and 1964.
Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.
- Identifying works and editions
- Tracing reception history
- Finding collection records
The original object or edition, catalogue raisonné, performance record, rights file and holding institution.
Three-step research path
- Establish the record: confirm the title “Sunday Morning with Nat Stuckey and Connie Smith”, its source revision and the description used here.
- Expand the search: follow Sunday Morning with Nat Stuckey and Connie Smith primary sources, Sunday Morning with Nat Stuckey and Connie Smith archive and Sunday research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Sunday Morning with Nat Stuckey and Connie Smith”?
- How did later circulation or interpretation alter the work’s reception?
- Where is authorship, date or provenance documented?
Search terms from this dossier
This entry incorporates text from “Sunday Morning with Nat Stuckey and Connie Smith” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.