Gnosis (Gnidrolog album)
1999 studio album by Gnidrolog
Gnosis is the fourth album by the British progressive rock band, Gnidrolog. The album's title, Gnosis, means divine or spiritual knowledge and understanding. It is their third studio album and the first to be recorded in 27 years. The album was mostly recorded at Select Sound Studios, Cairns, Australia, where it was engineered and produced by Nigel Pegrum. "Repent Harlequin," "Two Helens," and the title track were all recorded at Music City Studios, London, engineered by Joe Suarez and produced by Nessa Glen, courtesy of Sarastro Music. The album was published mainly by Kempyre Music, except "Two Helens," which was published by Sarastro Music. Chris Copping of Procol Harum played his Hammond B3 Organ for a couple of tracks, which were recorded in Woodstock Studios, Melbourne and engineered by Tim Dudfield. Post-production is credited to David J Burrows and Stewart Goldring. The album was mastered by David J Burrows at Disques rue Bis. The album is noted to be eclectic not only for its transcontinental recording but also for the use of traditional instruments such as the Australian Aboriginal didgeridoos.
This brief starts where responsible research should: with the source description of “Gnosis (Gnidrolog album)” as 1999 studio album by Gnidrolog. Everything that follows is an evidence route, not borrowed authority.
Why this record matters
The subject matters to the arts & letters register because the source frames it as 1999 studio album by Gnidrolog. Its deeper value depends on whether names, dates, institutions and citations support that framing.
Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Jul 5, 2026. The linked authority identifier is Q5574451. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank.
Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.
- Identifying works and editions
- Tracing reception history
- Finding collection records
The original object or edition, catalogue raisonné, performance record, rights file and holding institution.
Three-step research path
- Establish the record: confirm the title “Gnosis (Gnidrolog album)”, its source revision and the description used here.
- Expand the search: follow Gnosis (Gnidrolog album) primary sources, Gnosis (Gnidrolog album) archive and Gnosis research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Gnosis (Gnidrolog album)”?
- How did later circulation or interpretation alter the work’s reception?
- Which edition, object, performance or recording is being described?
Search terms from this dossier
This entry incorporates text from “Gnosis (Gnidrolog album)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.