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Giovanni Gavignani

Italian painter (1614-1676)

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 22, 2026
Entity authorityQ20735517 ↗
Source-derived summary

Giovanni Gavignani (1614/1615-1676) was an Italian painter and stucco artist active in his native Carpi.

Biography

He learned painting from Guido dal Conte and stucco decoration from Annibale Grissoni. He is known for decorating two altars in the church of San Niccolo in Carpi: the altar of St Antony of Padua (1652) and the altar of the Annunciation (1670s). He also completed works for the Duomo of Carpi. Among his pupils were the stucco artist Giovanni Matteo Barzelli, Pietro Deboli, and Simone Setti; all active in stucco-work and scagliola.

Editorial summary

The public source identifies “Giovanni Gavignani” as italian painter (1614-1676). This brief keeps that definition visible, then builds a research path around Giovanni, Gavignani and Italian.

Editorial reviewA practical starting point whose main value is the path it opens into stronger specialist and primary sources. The current lead gives the account dated anchors—1614, 1615, 1676, 1652—that can be checked directly. The linked authority record independently contributes the date 1614-01-01. Its value is orientation rather than verdict, with Giovanni, Gavignani and Italian providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Giovanni Gavignani”, the useful work is to connect “italian painter (1614-1676)” to the records capable of establishing context and consequence.

Evidence profile

Vocabulary and entity names are the principal evidence signals here, because they determine the precision of every later search. The source revision retrieved here is dated Jul 22, 2026. The linked authority identifier is Q20735517. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1614, 1615, 1676 and 1652.

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The absence of detail may reflect summary conventions rather than a lack of surviving documentation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

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Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

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  2. Expand the search: follow Giovanni Gavignani primary sources, Giovanni Gavignani archive and Giovanni research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

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Source & attribution

This entry incorporates text from “Giovanni Gavignani” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.