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Giovanni Battista Bertucci

painter (1465–1516)

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 21, 2026
Entity authorityQ3106938 ↗
Source-derived summary

Giovanni Battista da Faenza, called Bertucci, who painted in the style of Perugino and Pinturicchio, flourished in the early part of the 16th century at Faenza. In the Pinacoteca of that city there are various works ascribed to him, of which the most remarkable is a Majesty, signed by him and bearing the date 1506. Crowe and Cavalcaselle also claim for Bertucci an Adoration of the Magi in the Berlin Gallery, there ascribed to Pinturicchio, and a Glorification of the Virgin in the National Gallery, given in the catalogue to Lo Spagna, who was a pupil of Perugino.

His last will and testament, dated 1594, was collected in Gualandi's Memori.

References

Attribution:

This article incorporates text from a publication now in the public domain: Bryan, Michael (1886). "Faenza, Giovanni Battista da". In Graves, Robert Edmund (ed.). Bryan's Dictionary of Painters and Engravers (A–K). Vol. I (3rd ed.).

Editorial summary

“Giovanni Battista Bertucci” enters the record as painter (1465–1516). Crown Archives preserves that source wording while asking what Giovanni, Battista and Bertucci can confirm, complicate or overturn.

Editorial reviewA practical starting point whose main value is the path it opens into stronger specialist and primary sources. The current lead gives the account dated anchors—1506, 1594, 1886—that can be checked directly. The authority record carries competing date values—1450, 1465—which should remain separate until their references and qualifiers are resolved. Its strongest next move is a source search built around Giovanni, Battista and Bertucci.
Editorial analysis

Why this record matters

“Giovanni Battista Bertucci” is worth following because a concise public description often conceals a longer documentary argument. Here, Giovanni, Battista and Bertucci provides the most credible route into that argument.

Evidence profile

Named sources, stable identifiers and responsible institutions provide the strongest route from overview to verifiable evidence. The source revision retrieved here is dated Aug 21, 2026. The linked authority identifier is Q3106938. VIAF identifies the subject as 95717070. 2 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1506, 1594 and 1886.

Critical limits

A concise general-reference account can conceal disagreements about scope, terminology or the weight assigned to individual sources. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

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  2. Expand the search: follow Giovanni Battista Bertucci primary sources, Giovanni Battista Bertucci archive and Giovanni research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

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Source & attribution

This entry incorporates text from “Giovanni Battista Bertucci” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.