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Giorgio Federico Ghedini

Italian composer (1892–1965)

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 8, 2026
Entity authorityQ1118972 ↗
Source-derived summary

Giorgio Federico Ghedini (11 July 1892 – 25 March 1965) was an Italian composer. In addition to orchestral works, in 1949 he premiered a one-act opera based on Billy Budd by Herman Melville.

Life

Ghedini was born in Cuneo in 1892. He studied organ, piano and composition in Turin, then graduated in composition from the Bologna Conservatory under Marco Enrico Bossi in 1911. He worked as a conductor for a certain time, then he gave up to devote himself to teaching.

He worked as a teacher of composition at the Turin Conservatory (1918–1937), Parma Conservatory (1937–1941), and finally the Milan Conservatory (1951–1962). Among his pupils, the most eminent were Marcello and Claudio Abbado, Luciano Berio, Guido Cantelli, Niccolò Castiglioni, Carlo Pinelli, and Fiorenzo Carpi.

Guido Cantelli conducted the NBC Symphony Orchestra in a 2 February 1952 broadcast concert of Ghedini's Pezzo concertante for two violins, viola, and orchestra.

He died in Nervi, near Genoa, in 1965.

Style

The composer was a deep lover of ancient music; he transcribed many works by such composers as Girolamo Frescobaldi, Claudio Monteverdi, and Andrea and Giovanni Gabrieli.

Editorial summary

The public source identifies “Giorgio Federico Ghedini” as italian composer (1892–1965). This brief keeps that definition visible, then builds a research path around Giorgio, Federico and Ghedini.

Editorial reviewStrongest as a route into the people, institutions and dated events that shaped the subject’s public record. The current lead gives the account dated anchors—1892, 1965, 1949, 1911—that can be checked directly. The linked authority record independently contributes the date 1892-07-11. Its value is orientation rather than verdict, with Giorgio, Federico and Ghedini providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Giorgio Federico Ghedini”, the useful work is to connect “italian composer (1892–1965)” to the records capable of establishing context and consequence.

Evidence profile

The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated Sep 8, 2026. The linked authority identifier is Q1118972. VIAF identifies the subject as 64199477. The Library of Congress control number is n81023031. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1892, 1965, 1949 and 1911.

Critical limits

Later biographies can compress uncertainty and repeat inherited reputations, so apparently settled claims may still require comparison. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

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  • Establishing names and roles
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Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Giorgio Federico Ghedini”, its source revision and the description used here.
  2. Expand the search: follow Giorgio Federico Ghedini primary sources, Giorgio Federico Ghedini archive and Giorgio research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Giorgio Federico Ghedini”?
  2. Which claims depend on a single source or contested interpretation?
  3. How has the subject’s reputation changed across later accounts?
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Source & attribution

This entry incorporates text from “Giorgio Federico Ghedini” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.