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Gimme a Break!

American television sitcom

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 10, 2026
Entity authorityQ2056556 ↗
Source-derived summary

Gimme a Break! is an American television sitcom created by Mort Lachman and Sy Rosen that aired on NBC for six seasons from October 29, 1981, to May 12, 1987. The series starred Nell Carter as the housekeeper for a widowed police chief (Dolph Sweet) and his three daughters.

Premise

In Glenlawn, a fictional suburb in California, Nellie Ruth "Nell" Harper (Nell Carter) agrees to look after the Kanisky household as a special favor to her dying friend Margaret Huffman Kanisky (played in flashback by Sharon Spelman), the wife of police chief Carl Kanisky (Dolph Sweet). More than a mere housekeeper and cook, Nell serves as a parental figure to the chief's three teenaged daughters, Katie (Kari Michaelsen), Julie (Lauri Hendler), and Samantha (Lara Jill Miller). A foster son, Joey (Joey Lawrence), joins the Kanisky household in season three.

Five episodes into the sixth and final season, the show changed locales from Glenlawn to New York City, when Nell, concerned for Joey's welfare after he moved there with his absentee father, traveled there to check on him. She subsequently assumed guardianship of Joey and his younger brother Matthew (played by Joey Lawrence's real-life brother Matthew Lawrence) at their father's request, and was forced to permanently relocate there after Chief Kanisky's father Stanley (John Hoyt) sold the family's Glenlawn home.

Over the six-year run, celebrities often appeared on the show, including singers Whitney Houston, Andy Gibb, Sammy Davis Jr., Ray Parker Jr., and The Pointer Sisters. More often than not, the guest singers would perform a song with Nell on the episodes.

Editorial summary

Begin with the source’s own compact description: “Gimme a Break!” is american television sitcom. The dossier treats that line as a proposition to test through Gimme, Break and American, not as a finished interpretation.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1981, 1987—that can be checked directly. The selected authority fields contribute no independent date. For this dossier, Gimme, Break and American is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “american television sitcom” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Sep 10, 2026. The linked authority identifier is Q2056556. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1981 and 1987.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Gimme a Break!”, its source revision and the description used here.
  2. Expand the search: follow Gimme a Break! primary sources, Gimme a Break! archive and Gimme research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Gimme a Break!”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
Subject index

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Source & attribution

This entry incorporates text from “Gimme a Break!” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.