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Research dossier · Arts & Letters

Ghost at the Finish Line

album by Quelle Chris

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMar 6, 2026
Entity authorityQ29830424 ↗
Source-derived summary

Ghost at the Finish Line is a solo studio album by American rapper Quelle Chris. It was released via Mello Music Group on October 29, 2013. The thirteen-track record featured guest appearances by the likes of Alchemist, Black Milk, Denmark Vessey, Fuzz Scoota, Guilty Simpson, House Shoes, Jimetta Rose, Marv Won, and Mosel.

Editorial summary

Begin with the source’s own compact description: “Ghost at the Finish Line” is album by Quelle Chris. The dossier treats that line as a proposition to test through Ghost, Finish and Line, not as a finished interpretation.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—2013—that can be checked directly. The linked authority record independently contributes the date 2013. For this dossier, Ghost, Finish and Line is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “album by Quelle Chris” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Mar 6, 2026. The linked authority identifier is Q29830424. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2013.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Ghost at the Finish Line”, its source revision and the description used here.
  2. Expand the search: follow Ghost at the Finish Line primary sources, Ghost at the Finish Line archive and Ghost research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Ghost at the Finish Line”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from “Ghost at the Finish Line” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.