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Gekijōban Meiji Tokyo Renka: Yumihari no Serenade

2015 film by Hiroshi Watanabe

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 30, 2026
Entity authorityQ19954463 ↗
Source-derived summary

Gekijōban Meiji Tokyo Renka: Yumihari no Serenade (明治東亰恋伽~弦月の小夜曲~; Meiji Tokyo Renka the Movie: Serenade of the Crescent Moon) is a 2015 Japanese anime film directed by Hiroshi Watanabe and based on the visual novel Meiji Tokyo Renka by Mages. The film was released in nationwide Japanese theaters on July 18, 2015, in Japan.

The plot is centered on Mei Ayazuki, who is transported into the Meiji period and interacts with spirits and Japanese historical figures. The story is based on Kyōka Izumi's route, with the addition of Tōsuke Iwasaki, an original character, to introduce new elements to the plot. Despite failing to break in the top 15 on opening weekend, the film was praised for portraying the retro-styled elegance of the Meiji period as well as the relationship between Mei and Kyōka. The continuation of the story was featured in the sequel anime film, Gekijōban Meiji Tokyo Renka: Hana Kagami no Fantasia, which was released in theaters in 2016.

Plot

On the night of the crimson moon, Charlie transports Mei Ayazuki into the Meiji period during a magic show. This causes a mirror to shatter, and after being sent back in time, Mei is taken in by Otojiro Kawakami. Some time later, Mei and Kyōka Izumi look for Otojiro's hair pin, which has been stolen by a black cat spirit. While chasing it, Mei nearly gets run over by Tōsuke Iwasaki's car.

Editorial summary

Begin with the source’s own compact description: “Gekijōban Meiji Tokyo Renka: Yumihari no Serenade” is 2015 film by Hiroshi Watanabe. The dossier treats that line as a proposition to test through Gekijōban, Meiji and Tokyo, not as a finished interpretation.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—2015, 2016—that can be checked directly. The linked authority record independently contributes the date 2015. For this dossier, Gekijōban, Meiji and Tokyo is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “2015 film by Hiroshi Watanabe” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Aug 30, 2026. The linked authority identifier is Q19954463. 2 of 2 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2015 and 2016.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Gekijōban Meiji Tokyo Renka: Yumihari no Serenade”, its source revision and the description used here.
  2. Expand the search: follow Gekijōban Meiji Tokyo Renka: Yumihari no Serenade primary sources, Gekijōban Meiji Tokyo Renka: Yumihari no Serenade archive and Gekijōban research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Gekijōban Meiji Tokyo Renka: Yumihari no Serenade”?
  2. Where is authorship, date or provenance documented?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from “Gekijōban Meiji Tokyo Renka: Yumihari no Serenade” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.