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Gates of horn and ivory

Literary image, originally from Greek

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 15, 2026
Entity authorityQ3909015
Source-derived summary

The gates of horn and ivory are a literary image used to distinguish true dreams (corresponding to factual occurrences) from false. The phrase originated in the Greek language, in which the word for "horn" is similar to that for "fulfill" and the word for "ivory" is similar to that for "deceive" (see Murray, below). On the basis of that play on words, true dreams are spoken of as coming through the gates of horn, false dreams as coming through those of ivory.

The Odyssey

The earliest appearance of the image is in the Odyssey, book 19, lines 560–569. There Penelope, who has had a dream that seems to signify that her husband Odysseus is about to return, expresses by a play on words her conviction that the dream is false. She says:

Stranger, dreams verily are baffling and unclear of meaning, and in no wise do they find fulfillment in all things for men. For two are the gates of shadowy dreams, and one is fashioned of horn and one of ivory. Those dreams that pass through the gate of sawn ivory deceive men, bringing words that find no fulfillment. But those that come forth through the gate of polished horn bring true issues to pass, when any mortal sees them. But in my case it was not from thence, methinks, that my strange dream came.

Editorial summary

Begin with the source’s own compact description: “Gates of horn and ivory” is literary image, originally from Greek. The dossier treats that line as a proposition to test through Gates, horn and ivory, not as a finished interpretation.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current 226-word lead offers orientation but no explicit four-digit date, so chronology should not be assumed. The selected authority fields contribute no independent date. For this dossier, Gates, horn and ivory is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “literary image, originally from Greek” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Aug 15, 2026. The linked authority identifier is Q3909015. None of the 0 selected statements returned an explicit reference.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Gates of horn and ivory”, its source revision and the description used here.
  2. Expand the search: follow Gates of horn and ivory primary sources, Gates of horn and ivory archive and Gates research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Gates of horn and ivory”?
  2. Which edition, object, performance or recording is being described?
  3. Where is authorship, date or provenance documented?
Subject index

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Source & attribution

This entry incorporates text from Gates of horn and ivory” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.