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Gaspare Pacchierotti

Italian opera singer

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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 8, 2026
Entity authorityQ589048 ↗
Source-derived summary

Gaspare Pacchierotti (Italian: [ˈɡaspare pakkjeˈrɔtti]; variants of his names include Gasparo and Pacchiarotti; 21 May 1740 – 28 October 1821) was a mezzo-soprano castrato, and one of the most famous singers of his time.

Life

Training and first appearances

Details of his early life are scarce. It is possible that he studied with Mario Bittoni, maestro di cappella in the cathedral of his home city, Fabriano. Under the stage name of Porfirio Pacchierotti, he made his début in Baldassare Galuppi's opera Le nozze di Dorina at the Teatro dei Nobili in Perugia during the carnival season of 1759, playing, as young castrati often did, a female role: Livietta. He made further appearances under his assumed name in Venice (1764) and Innsbruck (1765). On this latter occasion he sang Acronte in Hasse's Romolo ed Ersilia on the occasion of the marriage of Peter Leopold of Habsburg-Lorraine, future Grand Duke of Tuscany and Holy Roman Emperor, and the Infanta Maria Luisa of Spain. Here, for the first time, he encountered the famous castrato Gaetano Guadagni, then at the height of his career.

Early career

By the late 1760s Pacchierotti was well established in Venice, both as an opera singer and member of the choir of St Mark's, where Galuppi was Director of Music. His first success as primo uomo (lead male singer) was in that composer's Il re pastore, in which he first sang the role of Agenore at the Teatro San Benedetto, Venice, in the summer of 1769. In that city he also received further vocal tuition from Ferdinando Bertoni, the composer and singing teacher, who became a lifelong friend.

Editorial summary

This brief starts where responsible research should: with the source description of “Gaspare Pacchierotti” as italian opera singer. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewStrongest as a route into the people, institutions and dated events that shaped the subject’s public record. The current lead gives the account dated anchors—1740, 1821, 1759, 1764—that can be checked directly. The authority record carries competing date values—1740-05-21, 1744-05-21, 1744—which should remain separate until their references and qualifiers are resolved. The account is most persuasive where Gaspare, Pacchierotti and Italian can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the people & ideas register because the source frames it as italian opera singer. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Chronology provides the most reliable spine for this subject; interpretation should follow only after identities and dates are secure. The source revision retrieved here is dated Sep 8, 2026. The linked authority identifier is Q589048. VIAF identifies the subject as 37183000. The Library of Congress control number is nr2005012960. 4 of 5 selected statements include explicit references; 0 carry qualifiers and 1 use preferred rank. The first chronological checks are 1740, 1821, 1759 and 1764.

Critical limits

A concise life account rarely captures disputed attribution, private networks or the changing language used to describe a career. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
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Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Gaspare Pacchierotti”, its source revision and the description used here.
  2. Expand the search: follow Gaspare Pacchierotti primary sources, Gaspare Pacchierotti archive and Gaspare research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

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  2. How has the subject’s reputation changed across later accounts?
  3. Which primary records establish identity, chronology and institutional ties?
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Source & attribution

This entry incorporates text from “Gaspare Pacchierotti” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.