Gardenesque
landscape design theory

The term gardenesque was introduced by John Claudius Loudon (1783–1843) in 1832 to describe a style of planting design in accordance with his 'Principle of Recognition'.
Definitions
Loudon was worried that picturesque planting could be mistaken for natural growth and argued that for a planting design to be recognizable as a work of art only exotic plants should be used. Later in his career Loudon accepted several other ways of making planting recognizable as art (1) by removing surrounding plants so that a perfect form of the plant was grown (2) by 'high keeping' (intensive maintenance) in a garden (3) by planting in geometrical beds. Though Loudon was clear about his reasons for introducing the gardenesque he gave varied accounts of how the principle could be satisfied. This has given the word a modern English usage which conforms with the etymology of the word ('like a garden') but differs from Loudon's uses of the word. The Oxford English Dictionary gives the following definitions:
Partaking of the character of a garden; somewhat resembling a garden or what belongs to a garden.
The OED then gives several quotes illustrating various usages of the term:
1838 Loudon. Arboretium Brit., The expression of gardenesque beauty, in individual trees differs from the picturesque, in being . . at all times regular or symmetrical
1839 — Repton's Landsc. Garden (1840) Introd.
“Gardenesque” enters the record as landscape design theory. Crown Archives preserves that source wording while asking what Gardenesque, landscape and design can confirm, complicate or overturn.
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This entry incorporates text from “Gardenesque” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.