Garcia Live Volume Five
2014 live album by Jerry Garcia Band

Garcia Live Volume Five is a two-CD live album by the Jerry Garcia Band. It contains the complete concert recorded at the Keystone in Berkeley, California on December 31, 1975. It was released by ATO Records on October 21, 2014.
The lineup of the Jerry Garcia Band for this concert was Jerry Garcia on guitar and vocals, Nicky Hopkins on keyboards, John Kahn on bass, and Greg Errico on drums. The show also featured performances by guest musicians Bob Weir, Mickey Hart, and Matthew Kelly.
Recording and production
The back cover of Garcia Live Volume Five includes a notice which reads in part, "Originally captured to analog reels and later transferred to digital audio tape, the enclosed recordings have been meticulously mastered for release. While certain minor sonic imperfections impervious to even the latest in digital wizardry remain, rest assured this vibrant performance transcends any inherent limitation in fidelity."
Critical reception
On AllMusic, Fred Thomas said, "A particularly loose, appropriately celebratory feeling flows through much of the sets as the band wanders through seemingly completely unrehearsed instrumental interludes... When they do get cooking, it's on extended 12-bar blues vamps in the first set like "It Ain't No Use" and "Pig's Boogie", while the second set tends toward laid-back jams like "Catfish John" or shuffling electric blues workouts like "Tore Up Over You". The band takes some time to truly get in a groove on this date, finally settling into some of the best material near the end of the recording."
In All About Jazz, Doug Collette wrote, "The fact of the matter is everyone in the group gets their own chance to shine, but these abbreviated solo intervals don't interrupt the seamless flow of the collective interaction.... Kudos to Betty Cantor-Jackson for capturing the goings-on with such clarity, but also to Joe Gastwirt who in both mastering and curating this archive title deserves his co-production credit....
“Garcia Live Volume Five” enters the record as 2014 live album by Jerry Garcia Band. Crown Archives preserves that source wording while asking what Garcia, Live and Volume can confirm, complicate or overturn.
Why this record matters
“Garcia Live Volume Five” is worth following because a concise public description often conceals a longer documentary argument. Here, Garcia, Live and Volume provides the most credible route into that argument.
Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Aug 5, 2026. The linked authority identifier is Q18343440. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1975 and 2014.
Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.
- Identifying works and editions
- Tracing reception history
- Finding collection records
The original object or edition, catalogue raisonné, performance record, rights file and holding institution.
Three-step research path
- Establish the record: confirm the title “Garcia Live Volume Five”, its source revision and the description used here.
- Expand the search: follow Garcia Live Volume Five primary sources, Garcia Live Volume Five archive and Garcia research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Garcia Live Volume Five”?
- How did later circulation or interpretation alter the work’s reception?
- Where is authorship, date or provenance documented?
Search terms from this dossier
This entry incorporates text from “Garcia Live Volume Five” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.