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Gamera 3: Revenge of Iris

1999 film by Shūsuke Kaneko

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 5, 2026
Entity authorityQ2091109
Source-derived summary

Gamera 3: Revenge of Iris (ガメラ3 邪神〈イリス〉覚醒, Gamera Surī Irisu Kakusei; lit. 'Gamera 3: Evil God Iris Awakens') is a 1999 Japanese kaiju film directed by Shusuke Kaneko, with special effects by Shinji Higuchi. Produced by Daiei Film and distributed by Toho, the film is the 11th entry in the Gamera film series, as well as the third film in the franchise's Heisei period, serving as a sequel to the 1996 film Gamera 2: Attack of Legion .

The film stars Ai Maeda as Ayana Hirasaka, a young girl who forms a psychic bond with a parasitic creature known as Iris that feeds upon the hatred that she feels for the giant turtle monster Gamera, who had unwittingly killed Ayana's parents and cat. The film also features Shinobu Nakayama and Ayako Fujitani reprising their roles as Mayumi Nagamine and Asagi Kusanagi, respectively. Hirofumi Fukuzawa portrays Gamera, while Akira Ohashi, who played Gamera in the previous film, portrays Iris.

Gamera 3: Revenge of Iris was screened at the 1999 Toronto International Film Festival, and received the Mainichi Film Concours award for Best Sound Recording in Japan. The film received generally positive reviews, with the film's special effects being lauded, and with many praising it as being one of the best entries in the Gamera film series.

However its popularity and tragic plot especially the portrayal of Gamera to be an unintentional threat to humanity also caused downward effects on the franchise indirectly, resulting in the cancellations and commercial failure of sequels and subsequent projects including "G4" and "G5", Gamera the Brave, and several anime projects where the projects in the 2000s were aimed to restore Gamera as a gallant and endearing character, taking 17 years for Kadokawa Corporation to produce a new installation, Gamera Rebirth in 2023.

Plot

Three years have passed since Gamera defeated the Legion, and the world is once again plagued by the Gyaos, which have now evolved into Hyper Gyaos. Mayumi Nagamine, noted ornithologist, returns to aid the Japanese government in addressing this threat.

Editorial summary

The public source identifies “Gamera 3: Revenge of Iris” as 1999 film by Shūsuke Kaneko. This brief keeps that definition visible, then builds a research path around Gamera, Revenge and Iris.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1999, 1996, 2023—that can be checked directly. The linked authority record independently contributes the date 1999-01-01. Its value is orientation rather than verdict, with Gamera, Revenge and Iris providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Gamera 3: Revenge of Iris”, the useful work is to connect “1999 film by Shūsuke Kaneko” to the records capable of establishing context and consequence.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Jul 5, 2026. The linked authority identifier is Q2091109. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1999, 1996 and 2023.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Gamera 3: Revenge of Iris”, its source revision and the description used here.
  2. Expand the search: follow Gamera 3: Revenge of Iris primary sources, Gamera 3: Revenge of Iris archive and Gamera research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Gamera 3: Revenge of Iris”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from Gamera 3: Revenge of Iris” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.