Gambling Days Are Over
album by Compulsive Gamblers

Gambling Days Are Over is the debut studio album by the Compulsive Gamblers. It was released in 1995 by Sympathy for the Record Industry. The album, with the exception of the last three songs, was recorded on an 8-track recorder in vocalist Jack Oblivian's apartment. The album was released after the band had already broken up, and was essentially a collection of the group's three 7-inch releases, "Church Goin'," "Joker," and Goodtime Gamblers." During the recording of the album the Compulsive Gamblers lineup consisted of Jack Oblivian and Greg Oblivian on guitar and vocals, Bushrod Thomas on drums, Fields Trimble on bass, and Greg Easterly on violin. The first three songs on the album are cover songs reflecting the band's diverse influences; the album contains covers by The Tornados, the Bar-Kays, and Tom Waits. The song "Sour and Vicious Man" was covered by Jay Reatard of the Reatards on their third album, Not Fucked Enough.
“Gambling Days Are Over” enters the record as album by Compulsive Gamblers. Crown Archives preserves that source wording while asking what Gambling, Days and Over can confirm, complicate or overturn.
Why this record matters
“Gambling Days Are Over” is worth following because a concise public description often conceals a longer documentary argument. Here, Gambling, Days and Over provides the most credible route into that argument.
Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Aug 13, 2025. The linked authority identifier is Q5519689. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1995.
Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.
- Identifying works and editions
- Tracing reception history
- Finding collection records
The original object or edition, catalogue raisonné, performance record, rights file and holding institution.
Three-step research path
- Establish the record: confirm the title “Gambling Days Are Over”, its source revision and the description used here.
- Expand the search: follow Gambling Days Are Over primary sources, Gambling Days Are Over archive and Gambling research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Gambling Days Are Over”?
- Where is authorship, date or provenance documented?
- How did later circulation or interpretation alter the work’s reception?
Search terms from this dossier
This entry incorporates text from “Gambling Days Are Over” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.