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Galerie Paffrath

German art gallery in Düsseldorf

Architectural plans, a scale model, maps and brass measuring instruments
Places and architectureInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionOct 11, 2021
Entity authorityQ23786742 ↗
Source-derived summary

The Galerie Paffrath is an art gallery in Düsseldorf, Germany, specialising in paintings of the 19th century.

Profile

Galerie Paffrath specialises in 19th-century paintings, in particular works by painters of the Düsseldorf school of painting, including Andreas Achenbach and Oswald Achenbach, Max Clarenbach, Hugo Mühlig, Johann Wilhelm Preyer and Emilie Preyer. In addition, the gallery sells paintings by classical modernist painters as well as works by 19th-century Scandinavian artists such as Peder Mönsted and Johan Laurentz Jensen.

In addition to monographic exhibitions on individual artists, Galerie Paffrath shows the gallery's new acquisitions twice a year, in spring and autumn, for a fortnight at a time in an exhibition of the same name.

History

In 1867, the master carpenter Johann Baptiste Paffrath (1812–1880) founded a company in Düsseldorf. His carpenter's workshop was located at Ritterstraße 3 in the early 1860s, in which he made the transport boxes for the works of the painters of the Düsseldorf School of Painting and the professors of the Art Academy, which were in great demand overseas. He also set up studio rooms for the artists. The painters often owed the invoice amount and instead gave paintings in payment. The foundation of the gallery was, so to speak, the "box debt". And so the art trade began alongside the carpentry trade on Jacobistrasse in house no.

Editorial summary

Begin with the source’s own compact description: “Galerie Paffrath” is german art gallery in Düsseldorf. The dossier treats that line as a proposition to test through Galerie, Paffrath and German, not as a finished interpretation.

Editorial reviewA strong orientation record where physical form, institutional use and historical geography need to be read together. The current lead gives the account dated anchors—1867, 1812, 1880—that can be checked directly. The selected authority fields contribute no independent date. For this dossier, Galerie, Paffrath and German is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “german art gallery in Düsseldorf” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

The strongest evidence will usually combine a dated visual record with documents produced by the authority responsible for the place. The source revision retrieved here is dated Oct 11, 2021. The linked authority identifier is Q23786742. The first chronological checks are 1867, 1812 and 1880.

Critical limits

A single description cannot reconcile every naming convention, rebuilding phase or administrative transfer associated with a place. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Treat names, boundaries and functions as historically changeable. Maps, plans, inventories and administrative records can clarify what the place meant at different dates.

Best used for
  • Historic place names
  • Jurisdictional context
  • Routes into maps and plans
Verify next

Contemporary maps, plans, listed-building records, estate papers and the responsible local or national archive.

Three-step research path

  1. Establish the record: confirm the title “Galerie Paffrath”, its source revision and the description used here.
  2. Expand the search: follow Galerie Paffrath primary sources, Galerie Paffrath archive and Galerie research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Galerie Paffrath”?
  2. Which authority defined the place, boundary or structure at the relevant date?
  3. What physical evidence or contemporary plan supports the description?
Subject index

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Source & attribution

This entry incorporates text from “Galerie Paffrath” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.