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Fun in the Barracks

1932 French film directed by Maurice Tourneur

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMar 3, 2026
Entity authorityQ3232881
Source-derived summary

Fun in the Barracks (French: Les Gaîtés de l'escadron or Les Gaietés de l'escadron) is a 1932 French comedy film directed by Maurice Tourneur and starring Raimu, Jean Gabin and Fernandel. It was based on a play by Georges Courteline and Edouard Nores. Tourneur was remaking the story, having previously filmed a silent version in 1913. The film was one of the most expensive made by Tourneur and was a popular commercial hit.

Synopsis

The film is set in 1885. It focuses on a group of troops, a mix of regulars and reservists, and their different responses to the daily military routines. A crisis emerges when a General pays a visit while two deserters are still absent.

Cast

Raimu as Le capitaine Hurluret

Jean Gabin as Fricot

Fernandel as Vanderague

René Donnio as Laplote

Charles Camus as Adjudant Flick

Pierre Labry as Potiron

Frédéric Munié as Lieutenant Mousseret

Lucien Nat as Maréchal des Logis chef Barnot

Pierre Ferval as Brigadier Vergisson

Georges Bever as La Guillaumette

Paul Azaïs as Croquebol

Roland Armontel as Barchetti

Louis Cari as Fourrier Bernot

Henry Roussel as Le général

Ketty Pierson as La charcutière

Jacqueline Brizard as La blanchisseuse

Mady Berry as Madame Bijou - la cantinière

References

Bibliography

Waldman, Harry. Maurice Tourneur: The Life and Films. McFarland, 2008.

Editorial summary

“Fun in the Barracks” enters the record as 1932 French film directed by Maurice Tourneur. Crown Archives preserves that source wording while asking what Barracks, French and film can confirm, complicate or overturn.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1932, 1913, 1885, 2008—that can be checked directly. The linked authority record independently contributes the date 1932-09-18. Its strongest next move is a source search built around Barracks, French and film.
Editorial analysis

Why this record matters

“Fun in the Barracks” is worth following because a concise public description often conceals a longer documentary argument. Here, Barracks, French and film provides the most credible route into that argument.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Mar 3, 2026. The linked authority identifier is Q3232881. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1932, 1913, 1885 and 2008.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Fun in the Barracks”, its source revision and the description used here.
  2. Expand the search: follow Fun in the Barracks primary sources, Fun in the Barracks archive and Barracks research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Fun in the Barracks”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
Subject index

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Source & attribution

This entry incorporates text from Fun in the Barracks” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.