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From a Roman Balcony

1960 film by Mauro Bolognini

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionApr 23, 2026
Entity authorityQ1753572
Source-derived summary

From a Roman Balcony (Italian: La giornata balorda, French: Ça s'est passé à Rome) is a 1960 Italian–French drama film directed by Mauro Bolognini. It is based on several stories by Alberto Moravia, who also co-wrote the screenplay with Pier Paolo Pasolini and Marco Visconti. The Italian theatrical release suffered several censorship problems, including the blocking of screenings, and a criminal complaint against director Bolognini and screenwriters Moravia and Pasolini.

The film was also shown under the alternate English titles Pickup in Rome, A Crazy Day and Love is a Day's Work.

Plot

Davide, a twenty-year-old living in the Roman suburbs, and his girlfriend Ivana have just become parents of a young son. Blamed by both his and Ivana's mother for his idle and irresponsible ways, Davide starts out to look for a day job. On his way, he meets his former girlfriend Marina, who in her own words now works as a "manicure", but is actually a prostitute. After a short sexual encounter, Marina helps him blackmail her client Moglie into giving Davide a job, which consists simply in accompanying driver Carpiti who carries out various tasks for shady industrialist Romani. On their way, the two men cheat prostitute Sabina out of her money, before meeting with their customer. Freya, Romani's mistress, takes an interest in Davide and, after sending Carpiti away under a pretense, sleeps with Davide at the beach.

Editorial summary

“From a Roman Balcony” enters the record as 1960 film by Mauro Bolognini. Crown Archives preserves that source wording while asking what Roman, Balcony and film can confirm, complicate or overturn.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1960—that can be checked directly. The linked authority record independently contributes the date 1960-01-01. Its strongest next move is a source search built around Roman, Balcony and film.
Editorial analysis

Why this record matters

“From a Roman Balcony” is worth following because a concise public description often conceals a longer documentary argument. Here, Roman, Balcony and film provides the most credible route into that argument.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Apr 23, 2026. The linked authority identifier is Q1753572. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1960.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

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  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “From a Roman Balcony”, its source revision and the description used here.
  2. Expand the search: follow From a Roman Balcony primary sources, From a Roman Balcony archive and Roman research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “From a Roman Balcony”?
  2. Where is authorship, date or provenance documented?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from From a Roman Balcony” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.