CACrown ArchivesThe cinema collection
Menu
Research dossier · Arts & Letters

From All Sides

album by Vince Guaraldi

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 3, 2026
Entity authorityQ5505349
Source-derived summary

From All Sides is a collaboration between the American pianist Vince Guaraldi and the Brazilian guitarist Bola Sete. Released in February 1965 by Fantasy Records, it was Guaraldi's seventh studio album and the second of three collaborations with Sete.

Recording and background

From All Sides was recorded in late 1964 during a period of increased collaboration between pianist Vince Guaraldi and guitarist Bola Sete. The two artists had developed a strong musical rapport while performing regularly at Trois Couleurs, a nightclub in San Francisco. Guaraldi's trio had a sixteen-week residency, with Sete joining them for the final twelve weeks. This extended engagement helped establish the interplay that would shape the studio sessions for the album.

The record features a blend of Latin jazz, bossa nova, and American jazz idioms, reflecting both Guaraldi's West Coast jazz background and Sete's Brazilian heritage. Several compositions on the album were either reworkings of previously recorded material or later repurposed in future projects. "Ginza Samba," originally titled "Ginza", was first recorded by Guaraldi for his debut album Modern Music from San Francisco (1956). "Menino Pequeno da Bateria", a gentle bossa nova reinterpretation of "The Little Drummer Boy", would later appear in A Charlie Brown Christmas as "My Little Drum".

Editorial summary

Begin with the source’s own compact description: “From All Sides” is album by Vince Guaraldi. The dossier treats that line as a proposition to test through Sides, album and Vince, not as a finished interpretation.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1965, 1964, 1956—that can be checked directly. The linked authority record independently contributes the date 1964. For this dossier, Sides, album and Vince is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “album by Vince Guaraldi” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Sep 3, 2026. The linked authority identifier is Q5505349. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1965, 1964 and 1956.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “From All Sides”, its source revision and the description used here.
  2. Expand the search: follow From All Sides primary sources, From All Sides archive and Sides research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “From All Sides”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from From All Sides” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.