Friedrich Schaarschmidt
German painter (1863-1902)

Friedrich Schaarschmidt (4 February 1863 – 12 June 1902) was a German landscape painter and figure painter of the Düsseldorf school of painting, conservator and art writer.
Life
Born in Bonn, Schaarschmidt was born in Bonn as the son of Professor Carl Schaarschmidt (1822-1908), a philosophy historian and head of the Bonn University Library. From 1880 until 1889, he studied painting at the Kunstakademie Düsseldorf. There, Hugo Crola, Johann Peter Theodor Janssen and Wilhelm Sohn, temporarily also Eduard von Gebhardt and Carl Ernst Forberg, were his teachers. As a practising artist, Schaarschmidt turned to En plein air. He often decorated his landscape paintings with figures in antique robes.
At the request of Peter Janssen, Schaarschmidt 1893 was appointed curator of the art collection of the Düsseldorf Academy as successor of Theodor Levin. As such, he also held a teaching position. He began to make a name for himself as an art writer and as an employee of the art magazine Die Kunst und das schöne Heim. His most important writing is considered to be the work Zur Geschichte der Düsseldorfer Kunst, which was published in 1902 by the Kunstverein für die Rheinlande und Westfalen.
Begin with the source’s own compact description: “Friedrich Schaarschmidt” is german painter (1863-1902). The dossier treats that line as a proposition to test through Friedrich, Schaarschmidt and German, not as a finished interpretation.
Why this record matters
The phrase “german painter (1863-1902)” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.
Vocabulary and entity names are the principal evidence signals here, because they determine the precision of every later search. The source revision retrieved here is dated May 22, 2025. The linked authority identifier is Q24451512. VIAF identifies the subject as 40146766. 2 of 2 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1863, 1902, 1822 and 1908.
A concise general-reference account can conceal disagreements about scope, terminology or the weight assigned to individual sources. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.
- Subject orientation
- Search vocabulary
- Locating named sources
The closest primary source, responsible institution and strongest cited specialist reference.
Three-step research path
- Establish the record: confirm the title “Friedrich Schaarschmidt”, its source revision and the description used here.
- Expand the search: follow Friedrich Schaarschmidt primary sources, Friedrich Schaarschmidt archive and Friedrich research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Friedrich Schaarschmidt”?
- What terminology or title could unlock a more precise catalogue search?
- Which cited source is closest to the event, object or claim?
Search terms from this dossier
This entry incorporates text from “Friedrich Schaarschmidt” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.