CACrown ArchivesThe cinema collection
Menu
Research dossier · General Reference

Frederick Ashton

British dancer and choreographer (1904–1988)

Cross-disciplinary reference desk with index cards, atlas, dictionary and catalogue
General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 16, 2026
Entity authorityQ711073
Source-derived summary

Sir Frederick William Mallandaine Ashton (17 September 1904 – 18 August 1988) was a British ballet dancer and choreographer. He also worked as a director and choreographer in opera, film and revue.

Determined to be a dancer despite the opposition of his conventional middle-class family, Ashton was accepted as a pupil by Léonide Massine and then by Marie Rambert. In 1926 Rambert encouraged him to try his hand at choreography, and though he continued to dance professionally, with success, it was as a choreographer that he became famous.

Ashton was chief choreographer to Ninette de Valois, from 1935 until his retirement in 1963, in the company known successively as the Vic-Wells Ballet, the Sadler's Wells Ballet and the Royal Ballet. He succeeded de Valois as director of the company, serving until his own retirement in 1970.

Ashton is widely credited with the creation of a specifically English genre of ballet. Among his best-known works are Façade (1931), Symphonic Variations (1946), Cinderella (1948), La fille mal gardée (1960), Monotones I and II (1965), Enigma Variations (1968) and the ballet film The Tales of Beatrix Potter (1971).

Life and career

Early years

Ashton was born in Guayaquil, Ecuador, the fourth of the five children of George Ashton (1864–1924) and his second wife, Georgiana (1869–1939), née Fulcher. George Ashton was manager of the Central and South American Cable Company and vice-consul at the British consulate in Guayaquil.

Editorial summary

“Frederick Ashton” enters the record as british dancer and choreographer (1904–1988). Crown Archives preserves that source wording while asking what Frederick, Ashton and British can confirm, complicate or overturn.

Editorial reviewA practical starting point whose main value is the path it opens into stronger specialist and primary sources. The current lead gives the account dated anchors—1904, 1988, 1926, 1935—that can be checked directly. The linked authority record independently contributes the date 1904-09-17. Its strongest next move is a source search built around Frederick, Ashton and British.
Editorial analysis

Why this record matters

“Frederick Ashton” is worth following because a concise public description often conceals a longer documentary argument. Here, Frederick, Ashton and British provides the most credible route into that argument.

Evidence profile

Vocabulary and entity names are the principal evidence signals here, because they determine the precision of every later search. The source revision retrieved here is dated Jul 16, 2026. The linked authority identifier is Q711073. VIAF identifies the subject as 46936974. The Library of Congress control number is n50001986. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1904, 1988, 1926 and 1935.

Critical limits

Overview language is designed for orientation and should not be treated as a substitute for the evidence cited beneath it. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

Best used for
  • Subject orientation
  • Search vocabulary
  • Locating named sources
Verify next

The closest primary source, responsible institution and strongest cited specialist reference.

Three-step research path

  1. Establish the record: confirm the title “Frederick Ashton”, its source revision and the description used here.
  2. Expand the search: follow Frederick Ashton primary sources, Frederick Ashton archive and Frederick research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Frederick Ashton”?
  2. Which institution is responsible for the underlying evidence?
  3. What terminology or title could unlock a more precise catalogue search?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from Frederick Ashton” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.