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Frauenau Glass Museum

museum in Germany

Architectural plans, a scale model, maps and brass measuring instruments
Places and architectureInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionNov 2, 2025
Entity authorityQ1529697 ↗
Source-derived summary

The Frauenau Glass Museum (German: Glasmuseum Frauenau) in Frauenau in the Lower Bavarian county of Regen, previously a communal facility, has become a state-owned organisation since early 2014 called the State Museum of the History of Glass Culture (Staatliches Museum zur Geschichte der Glaskultur) run by the Free State of Bavaria. The museum curator is the art-historian, Karin Rühl.

The museum was opened on 6 May 1975 by the founder of the museum, Alfons Hannes, in the presence of numerous international glass artists, including Erwin Eisch, Harvey Littleton and Sybren Valkema, with the highly regarded special exhibition Venini-Murano (Wolfgang Kermer collection).

Donation Wolfgang Kermer

In 1982, the museum received a significant donation from the private studio glass collection of Wolfgang Kermer. A selection from this collection had already been shown in a special exhibition from 1976 to 1977 and then remained, considerably expanded, in the museum as a gift from Wolfgang Kermer. As the Bayerische Staatszeitung wrote in 2009, the Wolfgang Kermer collection is ″a cornerstone of the museum′s permanent exhibition″.

The following artists are represented in the donation:

Belgium: Georges Collignon, Louis Leloup

Denmark: Per Lütken

Germany: Erwin Eisch, Aloys Ferdinand Gangkofner, Max Gangkofner, Konrad Habermeier, Hans Klein, Kristian Klepsch, Rosemarie Lierke, Hanns Model, Klaus Moje and Isgard Moje-Wohlgemuth, Helmut Rotter, Albin Schaedel, Bernhard Schagemann, Gerhard Schechinger, Horst Stauber, Wilhelm Wagenfeld, Karl Wiedmann, Aloys Wudy, Jörg F Zimmermann

Finland: Kaj Franck, Kerttu Nurminen, Heikki Orvola, Timo Sarpaneva, Nanny Still-McKinney, Oiva Toikka, Helena Tynell, Tapio Wirkkala

France: Michel Bouchard, Jean-Paul van Lith, Claude Monod, Isabelle Monod, Claude Morin, Nicolas Morin, Jean-Claude Novaro

United Kingdom: Samuel J. Herman, Karlin Rushbrooke, Pauline Solven, Fleur Tookey

Italy: Sergio Asti, Angelo Barovier, Ercole Barovier, Enrico Capuzzo, Mirko Casaril, Gino Cenedese, Giorgio Ferro, Luciano Gaspari, Peter Pelzel, Alessandro Pianon, Carlo Scarpa, Tobia Scarpa, Archimede Seguso, Ermanno Toso, Paolo Venini, Gino Vistosi, Vittorio Zecchin

Japan: Kyohei Fujita

Netherlands: Andries Dirk Copier, Willem Heesen, Yje Theo Jansen, Floris Meydam, Sybren Valkema

Norway: Hanna Hellum, Benny Motzfeldt

Poland: Halina Jastrzębowska-Sigmund, Tasios Kiriazopoulos, Henryk Albin Tomaszewski, Henry Wilkowsi, Alina Wołowska

Sweden: Olle Alberius, Gunnar Cyrén, Edward Hald, Erik Höglund, Ulrica Hydman Vallien, Jan Johansson, Paul Kedelv, John-Orwar Lake, Nils Landberg, Ingeborg Lundin, Edvin Öhrström, Bengt Orup, Sven Palmquist, John Selbing, Gerda Strömberg, Bertil Vallien, Göran Wärff, Ann Wolff

Czech Republic: Jindra Beranek, Josef Flek sen., Petr Foltýn, Vladimir Jelinek, Ladislav Oliva, Ladislav Paleček, René Roubiček, Ludovica Smrčková, František Špinar, Jaroslav Svoboda jun., Dana Vachtová, Karel Vaňura, František Vizner

United States: Robert Coleman, Claire Falkenstein, Jack Ink, Marvin Lipofsky, Harvey K. Littleton, Charles Lotton, Joel Philip Myers

Still ″a great friend of the glass museum″, Wolfgang Kermer donated in 2017 well over a hundred hand-blown French glasses, typical of the long-gone glassworks in the to-day regions Grand Est and Bourgogne-Franche-Comté. Although the origin and dating of the glasses, formerly mass-produced goods, today rarity, are often difficult to determine – Wolfgang Kermer described his donation ″Homage to the unknown glassblower″ – several glasses can be combined with the glass factory La Rochere (Franche-Comté).

Literature

Alfons Hannes (mit Beiträgen von Wolfgang Kermer und Erwin Eisch): Die Sammlung Wolfgang Kermer, Glasmuseum Frauenau: Glas des 20. Jahrhunderts; 50er bis 70er Jahre (= Bayerische Museen; 9).

Editorial summary

Begin with the source’s own compact description: “Frauenau Glass Museum” is museum in Germany. The dossier treats that line as a proposition to test through Frauenau, Glass and Museum, not as a finished interpretation.

Editorial reviewMost useful as a place-based finding aid connecting the present description to earlier jurisdictions, maps and built evidence. The current lead gives the account dated anchors—2014, 1975, 1982, 1976—that can be checked directly. The linked authority record independently contributes the date 1975. For this dossier, Frauenau, Glass and Museum is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “museum in Germany” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

The strongest evidence will usually combine a dated visual record with documents produced by the authority responsible for the place. The source revision retrieved here is dated Nov 2, 2025. The linked authority identifier is Q1529697. VIAF identifies the subject as 144830908. The Library of Congress control number is n90714485. Authority coordinates are 48.988, 13.298. 3 of 5 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 2014, 1975, 1982 and 1976.

Critical limits

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Source & attribution

This entry incorporates text from “Frauenau Glass Museum” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.