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Frank Ilfman

Israeli film composer

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 30, 2026
Entity authorityQ17198144
Source-derived summary

Haim Frank Ilfman (Hebrew: חיים פרנק אילפמן; born 18 March 1970) is a German / Israeli composer. He has scored more than forty films and numerous television shows, as well as the fanfare for Legendary Entertainment.

Early life and education

Ilfman studied trombone and piano at the Jaffa Conservatorium of Music in Tel Aviv and as a young teenager was playing lead trombone with the Tel Aviv Dixieland Band. He was eventually asked to leave the conservatorium for truancy.

In 1984, during a visit to Berlin, Ilfman was introduced to German composer Klaus Doldinger, at that time was scoring The NeverEnding Story. A visit to the film's recording sessions had a powerful impact on Ilfman, who henceforth committed himself to composing for films.

Career

Ilfman's scores include the films Big Bad Wolves and Cupcakes, with scores performed by The London Metropolitan Orchestra at Air Studios.

He has also scored May I Kill U?, a dark comedy, directed by Stuart Urban and starring Kevin Bishop; Mercenaries, directed by Paris Leonti, starring Robert Fucilla and Billy Zane; the three-part documentaries The Iraq War and Putin, Russia and the West for BBC and the film Bitter Seeds, directed by Micha Peled.

Ilfman's works includes Ghost Stories and 68 Kill; the Danish thriller Robin and the film adaptation of the book The Etruscan Smile; the film's score was recorded at Air Studios in London and was performed by the London Metropolitan Orchestra.

In 2008 Ilfman was invited to join the European Film Academy and The British Academy of Film and Television Arts (BAFTA).

Editorial summary

The public source identifies “Frank Ilfman” as israeli film composer. This brief keeps that definition visible, then builds a research path around Frank, Ilfman and Israeli.

Editorial reviewA productive starting point for separating a subject’s documented career from later reputation and commemoration. The current lead gives the account dated anchors—1970, 1984, 2008—that can be checked directly. The linked authority record independently contributes the date 1970-03-18. Its value is orientation rather than verdict, with Frank, Ilfman and Israeli providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Frank Ilfman”, the useful work is to connect “israeli film composer” to the records capable of establishing context and consequence.

Evidence profile

Chronology provides the most reliable spine for this subject; interpretation should follow only after identities and dates are secure. The source revision retrieved here is dated Aug 30, 2026. The linked authority identifier is Q17198144. VIAF identifies the subject as 316878544. The Library of Congress control number is no2010170204. 2 of 6 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1970, 1984 and 2008.

Critical limits

Public reputation and documentary evidence do not always develop together; absence from a summary is not evidence of historical absence. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

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Source & attribution

This entry incorporates text from Frank Ilfman” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.