CACrown ArchivesThe cinema collection
Menu
Research dossier · Arts & Letters

Francesca di Foix

opera by Gaetano Donizetti

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 16, 2026
Entity authorityQ749217 ↗
Source-derived summary

Francesca di Foix is a melodramma giocoso (comic opera) in one act by Gaetano Donizetti with a libretto by Domenico Gilardoni based on one by Jean-Nicolas Bouilly and Emmanuel Mercier-Dupaty for Henri Montan Berton's 3-act opéra-comique Françoise de Foix, inspired by the life of Françoise de Foix.

It received its first performance on 30 May 1831 at the Teatro San Carlo, Naples.

Performance history

The opera is chiefly known for having provided segments to other Donizetti operas, including Ugo, conte di Parigi, L'elisir d'amore and Gabriella di Vergy although a complete recording exists on the Opera Rara label.

It was given in London in November 2013, along with Debussy's L'enfant prodigue as a double bill, at the Guildhall School of Music staged by the Australian opera director Stephen Barlow.

Roles

Synopsis

Time: The Middle Ages

Place: France

The Count is determined to keep his beautiful wife Francesca well away from the temptations of the French court. Knowing the amorous ways of the nobility he tells them that she is unwilling to appear in public because she is extremely ugly.

Unfortunately this raises the interest of the King who despatches one of his gentlemen (the Duke) to investigate, and if he finds that the Countess is beautiful he must lure her back incognito to court.

Sure enough the Duke is able to persuade Francesca to return to Paris with him. Rather than admit his deceit her husband at first refuses to acknowledge who she is. To force his hand the King announces that a tournament is to be held and the winning knight will be given Francesca's hand in marriage.

Editorial summary

The public source identifies “Francesca di Foix” as opera by Gaetano Donizetti. This brief keeps that definition visible, then builds a research path around Francesca, Foix and opera.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1831, 2013—that can be checked directly. The linked authority record independently contributes the date 1850. Its value is orientation rather than verdict, with Francesca, Foix and opera providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Francesca di Foix”, the useful work is to connect “opera by Gaetano Donizetti” to the records capable of establishing context and consequence.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Sep 16, 2026. The linked authority identifier is Q749217. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1831 and 2013.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Francesca di Foix”, its source revision and the description used here.
  2. Expand the search: follow Francesca di Foix primary sources, Francesca di Foix archive and Francesca research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Francesca di Foix”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from “Francesca di Foix” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.