Richard Rodgers Theatre
Broadway theater in Manhattan, New York

The Richard Rodgers Theatre (formerly Chanin's 46th Street Theatre and the 46th Street Theatre) is a Broadway theater at 226 West 46th Street in the Theater District of Midtown Manhattan in New York City, New York, U.S. Opened in 1925, it was designed by Herbert J. Krapp and was constructed for Irwin Chanin. It has approximately 1,400 seats across two levels and is operated by the Nederlander Organization. Both the facade and the auditorium interior are New York City landmarks.
The facade is divided into two sections. The eastern section, containing the auditorium, is designed in the neo-Renaissance style with white brick and terracotta. The auditorium's ground floor has an entrance under a marquee, above which is a loggia of three double-height arches, as well as a entablature and balustrade at the top. The facade's western section, comprising the stage house, is seven stories high and is faced in buff-colored brick. The auditorium contains neo-Renaissance detailing, steep stadium seating in the orchestra level, a large balcony, and a shallow domed ceiling. Due to the slope of the seats, the rear of the orchestra is one story above ground. There are also box seats near the front of the auditorium on two tiers.
“Richard Rodgers Theatre” enters the record as broadway theater in Manhattan, New York. Crown Archives preserves that source wording while asking what Richard, Rodgers and Theatre can confirm, complicate or overturn.
Why this record matters
“Richard Rodgers Theatre” is worth following because a concise public description often conceals a longer documentary argument. Here, Richard, Rodgers and Theatre provides the most credible route into that argument.
Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Aug 30, 2026. The linked authority identifier is Q7328714. Authority coordinates are 40.759, -73.987. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1925.
Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.
- Identifying works and editions
- Tracing reception history
- Finding collection records
The original object or edition, catalogue raisonné, performance record, rights file and holding institution.
Three-step research path
- Establish the record: confirm the title “Richard Rodgers Theatre”, its source revision and the description used here.
- Expand the search: follow Richard Rodgers Theatre primary sources, Richard Rodgers Theatre archive and Richard research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Richard Rodgers Theatre”?
- How did later circulation or interpretation alter the work’s reception?
- Where is authorship, date or provenance documented?
Search terms from this dossier
This entry incorporates text from “Richard Rodgers Theatre” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.