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Crazy Rhythms

album by The Feelies

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 27, 2026
Entity authorityQ611323
Source-derived summary

Crazy Rhythms is the debut studio album by American rock band the Feelies. It was released in the United Kingdom on February 29, 1980, and in the United States in April 1980, through British record label Stiff. Although it was not commercially successful initially, it has remained critically lauded in the decades since its release. Its fusion of post-punk and jangle pop was influential on the forthcoming alternative rock genre, with R.E.M., among others, citing the album as an influence.

In September 2009 the album was performed live in its entirety as part of the All Tomorrow's Parties-curated Don't Look Back series.

Background

On the album, band member Glenn Mercer has said "The sound we were after was a reaction against the punk scene [...] Being a little older, we felt it had all been done before. We wanted the guitars to be cleaner, and we started experimenting with a lot of percussion."

Release history

The first release on CD was in Germany and the United States in 1986. A&M Records released the album on CD in 1990 with a bonus track, a cover of the Rolling Stones' "Paint It Black". The track was recorded in 1990 without Fier or DeNunzio.

Bar/None Records reissued Crazy Rhythms on September 8, 2009, while Domino Records reissued the album outside of the U.S. and Canada.

Editorial summary

The public source identifies “Crazy Rhythms” as album by The Feelies. This brief keeps that definition visible, then builds a research path around Crazy, Rhythms and album.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1980, 2009, 1986, 1990—that can be checked directly. The linked authority record independently contributes the date 1980-04. Its value is orientation rather than verdict, with Crazy, Rhythms and album providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Crazy Rhythms”, the useful work is to connect “album by The Feelies” to the records capable of establishing context and consequence.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Aug 27, 2026. The linked authority identifier is Q611323. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1980, 2009, 1986 and 1990.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Crazy Rhythms”, its source revision and the description used here.
  2. Expand the search: follow Crazy Rhythms primary sources, Crazy Rhythms archive and Crazy research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Crazy Rhythms”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from Crazy Rhythms” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.