Jonathan Florencio
American composer
Jonathan Martinez Florencio (Jon 'Flo' Florencio, born July 21, 1976) is an American composer, audio engineer and record producer. He is of Filipino descent and was raised in Bellmore, New York and attended Mepham High School. He has composed music for various commercials including Hummer, Nike, Scion, Calvin Klein, Mercedes, Rolex, Yves Saint Lauren, Pepsi and MTV. He has also worked with acts such as Ours, Glassjaw, Jimmy Gnecco, The Movielife, Dearly Departed, The Washdown, Anterrabae, and Woods. His production technique is notable for its width, innovative textures, and deconstructive approach to production.
In 2010 he worked on Jimmy Gnecco's debut solo-album The Heart (album). That same year, Florencio mixed three songs for The Narrative's self-titled album, as well as co-produced/engineered the Glassjaw EPs Our Color Green (The Singles) and Coloring Book.
Awards
Florencio won the First Boards Awards 2004 for his first year's work as a composer. He also went on to win the 2004 London International Award for Best Original Music Scoring on a Calvin Klein commercial featuring Scarlett Johansson.
In 2008, Jonathan mixed select tracks for Ours, Mercy (Dancing for the Death of an Imaginary Enemy) album, produced by Rick Rubin. The album was credited for Grammy Awards 'Producer Of The Year-Rick Rubin 2008'.
“Jonathan Florencio” enters the record as american composer. Crown Archives preserves that source wording while asking what Jonathan, Florencio and American can confirm, complicate or overturn.
Why this record matters
“Jonathan Florencio” is worth following because a concise public description often conceals a longer documentary argument. Here, Jonathan, Florencio and American provides the most credible route into that argument.
Biographical claims are most persuasive when dates, appointments and relationships can be traced to records created close to the events described. The source revision retrieved here is dated Jun 22, 2026. The linked authority identifier is Q6273119. 2 of 2 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1976, 2010, 2004 and 2008.
Public reputation and documentary evidence do not always develop together; absence from a summary is not evidence of historical absence. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.
- Establishing names and roles
- Building a first chronology
- Locating cited institutions
Personal papers, civil or court records, institutional files and the scholarship cited by the source.
Three-step research path
- Establish the record: confirm the title “Jonathan Florencio”, its source revision and the description used here.
- Expand the search: follow Jonathan Florencio primary sources, Jonathan Florencio archive and Jonathan research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Jonathan Florencio”?
- Which primary records establish identity, chronology and institutional ties?
- Which claims depend on a single source or contested interpretation?
Search terms from this dossier
This entry incorporates text from “Jonathan Florencio” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.