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Flora the Red Menace

musical

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMar 7, 2026
Entity authorityQ5460450 ↗
Source-derived summary

Flora the Red Menace is a musical with a book by George Abbott and Robert Russell, music by John Kander, and lyrics by Fred Ebb. The original 1965 production starred Liza Minnelli in the title role in her Broadway debut, for which she won a Tony Award for Best Actress in a Musical. The show marked the first collaboration of Kander and Ebb, who went on to write the Broadway and Hollywood hits Cabaret and Chicago.

While only two numbers ("A Quiet Thing" and "Sing Happy") became notable outside the show, the score does present a valuable insight into the later work of Kander and Ebb: like Cabaret and Chicago, it features a headstrong heroine and has a strong dose of political content.

Productions

Flora the Red Menace opened on Broadway at the Alvin Theatre on May 11, 1965, and closed on July 24, 1965, after 87 performances. The cast featured Liza Minnelli as Flora, Bob Dishy as Harry Toukarian and Cathryn Damon as Comrade Charlotte. Direction was by George Abbott, choreography by Lee Theodore, with scenic design by William and Jean Eckart, costume design by Donald Brooks and lighting design by Tharon Musser. The poster art was by cartoonist-playwright Herb Gardner.

Liza Minnelli won the Tony Award for Best Actress in a Musical, the youngest person to have done so at age 19.

Flora was not written for Minnelli, as is sometimes said; Robert Russell was rumored to have written the show as a vehicle for Barbra Streisand.

Editorial summary

This brief starts where responsible research should: with the source description of “Flora the Red Menace” as musical. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA practical starting point whose main value is the path it opens into stronger specialist and primary sources. The current lead gives the account dated anchors—1965—that can be checked directly. The selected authority fields contribute no independent date. The account is most persuasive where Flora, Menace and musical can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the general reference register because the source frames it as musical. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Named sources, stable identifiers and responsible institutions provide the strongest route from overview to verifiable evidence. The source revision retrieved here is dated Mar 7, 2026. The linked authority identifier is Q5460450. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1965.

Critical limits

A concise general-reference account can conceal disagreements about scope, terminology or the weight assigned to individual sources. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

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Source & attribution

This entry incorporates text from “Flora the Red Menace” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.