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The Flea Theater

non-profit organization in the USA

Layered newspapers, civic records and oral-history reels arranged as chronological evidence
History and societyInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 18, 2026
Entity authorityQ7734400
Source-derived summary

The Flea Theater is a theater in the TriBeCa neighborhood of Manhattan in New York City, New York, U.S. It presents primarily experimental theatre by Black, brown, and queer artists, as well as a venue for film stars to act on a 74-seat stage. The theater was founded in 1996 by Jim Simpson, Sigourney Weaver, Mac Wellman, and Kyle Chepulis. The Flea earned early acclaim for original productions of post-9/11 play The Guys and political works by A. R. Gurney. According to The New York Times, "Since its inception in 1996, The Flea has presented over 100 plays and numerous dance and live music performances. Under Artistic Director Jim Simpson and Producing Director Carol Ostrow, The Flea is one of New York's leading off-off-Broadway companies."

History

Founded in 1996, the award-winning Flea Theater was originally formed to create, according to the theatre's website, “a joyful hell in a small space”. The Flea receives over 17,000 visitors each year. In March 2015, The Flea announced that Niegel Smith would be taking over for Jim Simpson as its new artistic director.

Production highlights include The Guys by Anne Nelson, starring Sigourney Weaver and Bill Murray. Additional productions include Oh the Humanity and Other Exclamations, by Pulitzer finalist Will Eno, starring Marisa Tomei and Brian Hutchison. This collection of five short plays extended through winter 2008.

Editorial summary

Begin with the source’s own compact description: “The Flea Theater” is non-profit organization in the USA. The dossier treats that line as a proposition to test through Flea, Theater and non-profit, not as a finished interpretation.

Editorial reviewA useful synthesis for locating the documentary relationships between formal authority, participants and affected communities. The current lead gives the account dated anchors—1996, 2015, 2008—that can be checked directly. The linked authority record independently contributes the date 1996-01-01. For this dossier, Flea, Theater and non-profit is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “non-profit organization in the USA” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Contemporary correspondence, administrative files and participant testimony can test how later narratives organized the event or institution. The source revision retrieved here is dated Sep 18, 2026. The linked authority identifier is Q7734400. 2 of 2 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1996, 2015 and 2008.

Critical limits

Institutional narratives can privilege the records that survived while minimizing voices that were never formally collected. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Compare institutional narratives with records created by participants and affected communities. Dates and formal titles are useful anchors, but not substitutes for context.

Best used for
  • Event chronology
  • Institutional context
  • Locating named record creators
Verify next

Contemporary correspondence, government or organizational records, oral histories and cited historical scholarship.

Three-step research path

  1. Establish the record: confirm the title “The Flea Theater”, its source revision and the description used here.
  2. Expand the search: follow The Flea Theater primary sources, The Flea Theater archive and Flea research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The Flea Theater”?
  2. Who created the surviving record, and for what administrative purpose?
  3. Which voices are present, absent or mediated by the institution?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from The Flea Theater” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.