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Fiona McAlpine

Radio drama director, Radio drama producer

Correspondence, annotated notebooks and portrait silhouettes prepared for research
People and ideasInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionFeb 12, 2026
Entity authorityQ5451081
Source-derived summary

Fiona McAlpine is a British radio drama producer and director. Her company, Allegra Productions, is an independent production company based in Suffolk, England.

Works

Current Production on BBC Radio 4.

Broadcast 11, 18 April April – 25 April 2021 The Magic Mountain by Thomas Mann

Dramatised by Robin Brooks

Based on the Translation by John E. Woods CAST

Luke Thallon, Lucy Robinson, Hugh Skinner, Genevieve Gaunt, Sandy Grierson, Stephen Hogan, Keziah Joseph, Georgina Strawson, Ed Jones, Huw Brentnall, Kate Paul, Georgia Brown,Lilit Lesser.

Dramas produced and directed by Fiona McAlpine in 2015–2021

Kingmaker: Winter Pilgrims by Gregory Evans for Towton Audio 5 hour episodes.

Launched by Towton Audio on 29 March 2021

The Brummie Iliad for BBC Radio 3 by Roderick Smith (based on Homer's Iliad)

Broadcast 31 January 2021

USA by John Dos Passos for BBC Radio 4 - (3 episodes)

Broadcast October to November 2020

The Talking Mongoose for BBC Radio 4

Broadcast 3 June 2020

Elizabeth and Essex by Robin Brooks for BBC Radio 3 with Simon Russell Beale and the BBC Concert Orchestra

Live performance at the Alexandra Palace on 3 Feb 2020

Broadcast on Radio 3 "Drama on 3" 12 April 2020.

The Garrick Year by Margaret Drabble adapted by Robin Brooks with Melody Grove, Tom Burke, Trystan Gravelle

Broadcast 5 April 2020

A Kestrel for a Knave by Barry Hines, adapted by Robert Rigby for Goldhawk Essential and BBC Radio 4

Broadcast September 2019

Get Carter: The Bloody Chamber by Angela Carter, adapted by Olivia Hetreed for BBC Radio 4

Broadcast Sept 2018

Get Carter: The Christchurch Murder (screenplay by Angela Carter) adapted by Robin Brooks for BBC Radio 4

Broadcast Sept 2018

Vampirella by Angela Carter for BBC Radio 3

Come unto these Yellow Sands (producer only) for BBC Radio 3

Both plays as part of 'An Evening with Angela Carter', starring Fiona Shaw as Angela Carter

Broadcast Sept 2018

Byzantium by Robin Brooks for BBC Radio 3

Broadcast March 2018

Remorse, or the sorrows of Samuel Taylor Coleridge, by Robin Brooks (directed by Jeremy Mortimer)

Broadcast March 2016

The Dark Tower by Louis MacNeice and music by Benjamin Britten (producer only) with the BBC Concert Orchestra

Performed live in front of an audience at Orford Church, Suffolk

Broadcast on BBC Radio 3 Oct 2017

Iris Murdoch: Dream Girl by Robin Brooks, with Helen McCrory, Anton Lesser, Jasper Britton for BBC Radio 4

Broadcast August 2015

The Sea, The Sea, by Iris Murdoch, dramatised by Robin Brooks, directed by Bill Alexander, Produced by Fiona McAlpine

with Jeremy Irons, Simon Williams, Joanna David, Sara Kestelman.

Broadcast August 2015

The Boy from Aleppo who painted the War by Richard Kurti and Bev Doyle for B7 Productions and BBC Radio 4

Broadcast Sept 2014

Then see table below: from 2003 to 2013

Missed out from table below (2001 and 2003)

2001 - Love and Friendship by Jane Austen, Adapted by Robin Brooks

Produced & Directed by Fiona McAlpine, Exec. Producer: Clive Brill (Pacificus Productions) for BBC Radio 4 Afternoon drama

Cast: David Tennant, Victoria Hamilton, David Horovitch, Janet Jeffries.

2003 - 7 August

A Quick Change

by Robin Brooks

Produced and Directed by Fiona McAlpine, Exec.

Editorial summary

“Fiona McAlpine” enters the record as radio drama director, Radio drama producer. Crown Archives preserves that source wording while asking what Fiona, McAlpine and Radio can confirm, complicate or overturn.

Editorial reviewA useful biographical orientation record, particularly for establishing names, roles and a first chronology. The current lead gives the account dated anchors—2021, 2015, 2020, 2019—that can be checked directly. The linked authority record independently contributes the date 2000. Its strongest next move is a source search built around Fiona, McAlpine and Radio.
Editorial analysis

Why this record matters

“Fiona McAlpine” is worth following because a concise public description often conceals a longer documentary argument. Here, Fiona, McAlpine and Radio provides the most credible route into that argument.

Evidence profile

The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated Feb 12, 2026. The linked authority identifier is Q5451081. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2021, 2015, 2020 and 2019.

Critical limits

A concise life account rarely captures disputed attribution, private networks or the changing language used to describe a career. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Fiona McAlpine”, its source revision and the description used here.
  2. Expand the search: follow Fiona McAlpine primary sources, Fiona McAlpine archive and Fiona research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Fiona McAlpine”?
  2. Which primary records establish identity, chronology and institutional ties?
  3. Which claims depend on a single source or contested interpretation?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from Fiona McAlpine” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.