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Fernando González Casellas

composer (1925-1998)

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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 16, 2026
Entity authorityQ5444741 ↗
Source-derived summary

Fernando González Casellas (October 15, 1925 – October 12, 1998) was an Argentine composer of classical music. A student of Jaume Pahissa, his early music was predominantly atonal, although his later compositions explored other musical forms and genres. He was the winner of several composition prizes in his native country and abroad for his vocal and instrumental music which included an opera, Saverio el cruel, and many works with religious or spiritual themes.

Fernando González Casellas was born in Buenos Aires, where he studied composition with the exiled Catalan composer, Jaime Pahissa and classics at the University of Buenos Aires. He died in Buenos Aires at the age of 73 while working on his second opera. González Casellas was married to the Argentine critic and author Ruth Mehl (1932 – 2010). The couple had two children, Fernando and Ximena.

Works

Fernando González Casellas composed 73 works, including:

Vocal – Instrumental

Vocalise – premiered December 10, 1957, LRA Radio Nacional Argentina

Vidrieras del silencio (text by Juan Carlos Pellegrini) – premiered December 10, 1957, LRA Radio Nacional Argentina

Río – premiered December 10, 1957, LRA Radio Nacional Argentina

Agnus Dei – premiered October 28, 1958, Auditorio Birabén, Asociación de Jóvenes Compositores de la Argentina.

Canción (text by Horacio E. Ratti) – premiered October 28, 1958, Auditorio Birabén, Asociación de Jóvenes Compositores de la Argentina

Cantata Nº 1 Días que son condena (text by Osvaldo Rossler) – premiered May 14, 1970, Teatro Municipal, Río de Janeiro

Balada for violin, contralto, and chamber orchestra (text by Dietrich Bonhoeffer and the Book of Lamentations) – composed 1972

Tres Sonetos de El Libro Fiel de Leopoldo Lugones (text by Leopoldo Lugones) – premiered July 15, 1977, Teatro Colón, Buenos Aires; awarded First Prize, Fondo Nacional de las Artes, 1975

Tres cantos para el dolor (text by the Chinese poets, Cai Wenji and Xu Zhimo) – premiered April 8, 1981, Auditorio de Belgrano, Buenos Aires; awarded Second Prize, Secretaría de Cultura de la Nación, 1983.

Instrumental

Sonata for cello and piano – composed 1961; recorded by LRA Radio Nacional Argentina

Tres piezas for piano – awarded First Prize by the city of Buenos Aires, 1969

String Quartet No.

Editorial summary

This brief starts where responsible research should: with the source description of “Fernando González Casellas” as composer (1925-1998). Everything that follows is an evidence route, not borrowed authority.

Editorial reviewStrongest as a route into the people, institutions and dated events that shaped the subject’s public record. The current lead gives the account dated anchors—1925, 1998, 1932, 2010—that can be checked directly. The selected authority fields contribute no independent date. The account is most persuasive where Fernando, González and Casellas can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the people & ideas register because the source frames it as composer (1925-1998). Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated Jun 16, 2026. The linked authority identifier is Q5444741. The first chronological checks are 1925, 1998, 1932 and 2010.

Critical limits

Later biographies can compress uncertainty and repeat inherited reputations, so apparently settled claims may still require comparison. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Fernando González Casellas”, its source revision and the description used here.
  2. Expand the search: follow Fernando González Casellas primary sources, Fernando González Casellas archive and Fernando research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Fernando González Casellas”?
  2. How has the subject’s reputation changed across later accounts?
  3. Which primary records establish identity, chronology and institutional ties?
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Source & attribution

This entry incorporates text from “Fernando González Casellas” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.