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Louise Lidströmer

Swedish artist (born 1948)

Correspondence, annotated notebooks and portrait silhouettes prepared for research
People and ideasInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 12, 2025
Entity authorityQ6688826
Source-derived summary

Louise (L) Lidströmer (born 9 July 1948, in Vienna) is a Swedish artist who studied at the Royal Swedish Academy of Arts in Stockholm 1967–72. She works with paintings, sculpture and object installation, and has presented large series of exhibitions in and outside Sweden.

The installation "Tabula Rasa" at Stockholm Art Fair 1994 attracted a lot of attention. Instead of "hommage" she has created the concept "femmage"(a female celebration). Series of femmages to e.g. Camille Claudel and to Titian have been shown and have attracted attention in Sweden, but also in Paris (Centre Culturel Suédois), Mons in Belgium (Musée des Beaux Arts) and Rome (Istituto Svedese). Louise Lidströmer has signed her paintings with "Ljubi" until 1996, L² for sculptures and "L. Lidströmer" for paintings from 1996.

Selected solo exhibitions

VIDA Museum, Öland (2003), 2007)

Karlskrona Art Hall (2005)

Konstruktiv Tendens, Stockholm (2004, 2000)

Mora Kulturhus (2002)

Galerie Bruno Delarue, Paris (2002)

Norreport, Halmstad (2000)

Kamras Gallery, Borgholm (1999)

Kalmar Museum (1998)

Istituto Svedese di Studi Classici, Rome (1998)

Galerie Magda Danysz, Paris (1998)

Musée des Beaux Arts, Mons, Belgium (1997)

Centre Culturel Suédois, Paris (1997)

Södertälje Town Hall (1996)

Museum of Alingsås (1995)

Leufsta bruk (1995)

Konstkammaren, Umeå (1995)

Ann Westin Gallery, Stockholm (1994)

Astley Gallery, Uttersberg (1994)

Tabula Rasa, Stockholm Art Fair (1994)

Doktor Glas Gallery, Stockholm (1994)

Lidingö Town Hall (1985, 1990, 1994)

Franciska Gallery, Århus, Denmark (1993)

Annes hus, Millesgården, Lidingö (1992)

Cité internationale des arts in Paris (1991)

Selected group exhibitions

FIDEM, Seixal, Lissabon, Portugal (2004)

Monumentala sötsaker, Konstnärshuset (2004)

Swedish participant in FIDEM, Kungliga Myntkabinettet (2003)

FIDEM, La Monnaie de Paris (2002)

Gold in Art, Castle of Borgholm (2001)

Meeting with Tizian, Churches, Lidingö (2001)

Sveriges Allmänna Konstförening (2000–2004)

Samling, Konstruktiv Tendens, Stockholm (1999–2004)

Itineraire, Ville de Levallois, Paris (1998)

Expo Coll., Cité Internat. des Arts, Paris (1998, 1997)

Expo Bleu, Galerie Magda Danysz, Paris (1997)

Graphic Biennal, Bhopal, India (1992)

References

Selected literature

Art Diary International, Milano, Giancarlo Politi Editore, 1996–. ISBN 88-7816-026-1

Cavalli-Björkman, Görel, and Ljubi Lidströmer.

Editorial summary

Begin with the source’s own compact description: “Louise Lidströmer” is swedish artist (born 1948). The dossier treats that line as a proposition to test through Louise, Lidströmer and Swedish, not as a finished interpretation.

Editorial reviewStrongest as a route into the people, institutions and dated events that shaped the subject’s public record. The current lead gives the account dated anchors—1948, 1967, 1994, 1996—that can be checked directly. The linked authority record independently contributes the date 1948-07-09. For this dossier, Louise, Lidströmer and Swedish is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “swedish artist (born 1948)” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Chronology provides the most reliable spine for this subject; interpretation should follow only after identities and dates are secure. The source revision retrieved here is dated Sep 12, 2025. The linked authority identifier is Q6688826. VIAF identifies the subject as 4081158070718008780002. None of the 2 selected statements returned an explicit reference. The first chronological checks are 1948, 1967, 1994 and 1996.

Critical limits

A concise life account rarely captures disputed attribution, private networks or the changing language used to describe a career. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

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  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
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Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Louise Lidströmer”, its source revision and the description used here.
  2. Expand the search: follow Louise Lidströmer primary sources, Louise Lidströmer archive and Louise research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Louise Lidströmer”?
  2. Which primary records establish identity, chronology and institutional ties?
  3. How has the subject’s reputation changed across later accounts?
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Source & attribution

This entry incorporates text from Louise Lidströmer” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.