CACrown ArchivesThe cinema collection
Menu
Research dossier · People & Ideas

Feliciano Béjar

Mexican artist (1920-2007)

Correspondence, annotated notebooks and portrait silhouettes prepared for research
People and ideasInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 23, 2026
Entity authorityQ370425 ↗
Source-derived summary

Feliciano Béjar Ruíz (1920 – February 1, 2007) was a Mexican artist and artisan, best known for a style of sculpture called "magiscopios" which involved various materials along with crystals and/or lenses to play with light or create distorted visions. He was born in rural central Mexico and was completely self-taught as an artist. He was creative as a young child, drawing and creating his first sculpture like pieces from papier-mâché. His art career began in New York, where he had travelled and lived for a time in Hell's Kitchen. His drawing the attention of Arthur Ewart and Frances Coleman, with the latter helping him have his first exhibition and whose husband helped sponsor his time in Europe. The magiscopes arose from an intense interest in light and the sun, which began when he saw a boy in Italy playing with reflections of the sun in puddles. Images of the sun appeared in his painting and sculpture, developing into the use of crystals and lenses. In his later life, Béjar withdrew from the art world for about sixteen years, disillusioned with it and retreating to his ranch in the State of Mexico. He returned in 1998, with a retrospective of his work in Mexico City and continued to show his work until shortly before his death.

Life

Béjar was born in 1920 in Jiquilpan, Michoacán, between the Sierra Madre Occidental and Lake Chapala, which was a very small and rural town when he was a child.

Editorial summary

This brief starts where responsible research should: with the source description of “Feliciano Béjar” as mexican artist (1920-2007). Everything that follows is an evidence route, not borrowed authority.

Editorial reviewStrongest as a route into the people, institutions and dated events that shaped the subject’s public record. The current lead gives the account dated anchors—1920, 2007, 1998—that can be checked directly. The linked authority record independently contributes the date 1920-01-01. The account is most persuasive where Feliciano, Béjar and Mexican can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the people & ideas register because the source frames it as mexican artist (1920-2007). Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Biographical claims are most persuasive when dates, appointments and relationships can be traced to records created close to the events described. The source revision retrieved here is dated Aug 23, 2026. The linked authority identifier is Q370425. VIAF identifies the subject as 262949149. The Library of Congress control number is n93111877. 2 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1920, 2007 and 1998.

Critical limits

A concise life account rarely captures disputed attribution, private networks or the changing language used to describe a career. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Feliciano Béjar”, its source revision and the description used here.
  2. Expand the search: follow Feliciano Béjar primary sources, Feliciano Béjar archive and Feliciano research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Feliciano Béjar”?
  2. Which claims depend on a single source or contested interpretation?
  3. Which primary records establish identity, chronology and institutional ties?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from “Feliciano Béjar” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.