Fathom Entertainment
American film distributor

Fathom Entertainment is an entertainment content provider that broadcasts entertainment events in movie theaters throughout the United States, including Metropolitan Opera Live in HD, the performing arts, major sporting events, and music concerts.
History
The company was spun out of National CineMedia in 2013 to focus on live performances that National CineMedia had started presenting; the parent company remained focused on producing advertising for movie theaters, which had been its original business. Fathom Events is owned by AC JV, LLC, a joint venture of AMC Theatres, Regal Cinemas, and Cinemark Theatres, the three largest theater chains in the United States.
John Rubey was the first CEO of Fathom Events, having previously served as president of AEG-TV and Network LIVE.
In 2014, The Theatre Museum Awards honored Fathom Events with the Awards for Excellence in Theatre History Preservation.
In 2015, Fathom Events was named "Best Distributor in the Americas" and received eight box office awards by the Event Cinema Association (ECA).
Ray Nutt became CEO of Fathom Events in 2017, having previously served as senior vice president of business relations for Regal Entertainment Group, where he sat on the board of directors for Fathom. Before that, he grew business for Regal CineMedia and United Artists Theatres.
In November 2023, The Blind became the company's top-grossing movie, taking over $15.7 million at North American box offices. The film was later surpassed by the release of The Chosen Last Supper: Part 1 in April 2025, which grossed about $20.2 million at North American box offices.
In January 2025, the company rebranded to Fathom Entertainment.
“Fathom Entertainment” enters the record as american film distributor. Crown Archives preserves that source wording while asking what Fathom, Entertainment and American can confirm, complicate or overturn.
Why this record matters
“Fathom Entertainment” is worth following because a concise public description often conceals a longer documentary argument. Here, Fathom, Entertainment and American provides the most credible route into that argument.
Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Aug 21, 2026. The linked authority identifier is Q24944815. None of the 2 selected statements returned an explicit reference. The first chronological checks are 2013, 2014, 2015 and 2017.
Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.
- Identifying works and editions
- Tracing reception history
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The original object or edition, catalogue raisonné, performance record, rights file and holding institution.
Three-step research path
- Establish the record: confirm the title “Fathom Entertainment”, its source revision and the description used here.
- Expand the search: follow Fathom Entertainment primary sources, Fathom Entertainment archive and Fathom research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
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This entry incorporates text from “Fathom Entertainment” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.