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Symphony No. 6 (Martinů)

musical work; symphony in three movements composed by Bohuslav Martinů

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionApr 15, 2026
Entity authorityQ3507902 ↗
Source-derived summary

The Symphony No. 6 ("Fantaisies symphoniques"), H. 343, by Bohuslav Martinů was begun in New York City in 1951, after a hiatus of four years since its predecessor, and was tentatively completed three years later on 23 April 1953. In Paris, in the months following its completion, Martinů undertook some revisions to the score. It is dedicated to Charles Munch, on the occasion of the 75th anniversary of the Boston Symphony Orchestra, who premiered the symphony on 7 January 1955. Martinů originally called the work Fantaisies symphoniques, and this is sometimes regarded as its only correct title.

Instrumentation

The Sixth Symphony calls for the smallest orchestra of all of Martinů's symphonies, and notably lacks both piano and harp. It is scored for three flutes, piccolo, three oboes, three clarinets, three bassoons, four horns, three trumpets, three trombones, tuba, timpani, percussion (cymbals, tam-tam, triangle, tambourine, bass drum, side drum), and strings.

Analysis

The symphony has three movements:

The symphony is quite unlike the previous five symphonies. In Paris in the autumn of 1955, Martinů described it to Miloš Šafránek as a work "without form. And yet something holds it together, I don't know what, but it has a single line, and I have really expressed something in it".

Editorial summary

The public source identifies “Symphony No. 6 (Martinů)” as musical work; symphony in three movements composed by Bohuslav Martinů. This brief keeps that definition visible, then builds a research path around Symphony, Martinů and musical.

Editorial reviewA dependable orientation record for establishing vocabulary, names and a first evidence trail. The current lead gives the account dated anchors—1951, 1953, 1955—that can be checked directly. The authority record carries competing date values—1953, 1953-01-01—which should remain separate until their references and qualifiers are resolved. Its value is orientation rather than verdict, with Symphony, Martinů and musical providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Symphony No. 6 (Martinů)”, the useful work is to connect “musical work; symphony in three movements composed by Bohuslav Martinů” to the records capable of establishing context and consequence.

Evidence profile

The citation trail is more important than the brevity of the summary: it shows where individual claims can be examined in context. The source revision retrieved here is dated Apr 15, 2026. The linked authority identifier is Q3507902. The Library of Congress control number is n88639999. 2 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1951, 1953 and 1955.

Critical limits

The absence of detail may reflect summary conventions rather than a lack of surviving documentation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

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Source & attribution

This entry incorporates text from “Symphony No. 6 (Martinů)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.