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Face Control

album by Handsome Furs

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 13, 2025
Entity authorityQ5428322
Source-derived summary

Face Control is Handsome Furs' second full-length album, which was released through Sub Pop Records. The album was recorded and mixed by Wolf Parade's Arlen Thompson at Mount Zoomer, and it was mastered by Harris Newman at Hotel2Tango.

The album's title takes its name from the face control policy seen in upscale Russian nightclubs where people are admitted based on physical attractiveness.

Background and Release

The album was heavily influenced by the Handsome Furs' travels through Eastern Europe. Dan Boeckner has referred to the album as a "travel diary". In choosing the album's title, Boeckner said:

The thing that really attracted me to using that as an album title was that it was a perfect example of how post-Communist Russia had so embraced this crazed form of hyper-capitalism — the kind that has no regard whatsoever for human-beings — to an extent that would horrify even the most right-wing North American Republican capitalist.

Face Control was originally set to be released on February 3, 2009. However, the album's release dated was delayed until March 10, 2009, due to a legal issue. According to the official Wolf Parade fansite, the Handsome Furs referenced a New Order song on the track "All We Want, Baby, Is Everything". In order to use the reference, the band needed to legally clear it with New Order, which took some time to do and caused the release to be pushed back.

Editorial summary

This brief starts where responsible research should: with the source description of “Face Control” as album by Handsome Furs. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—2009—that can be checked directly. The linked authority record independently contributes the date 2009-03-10. The account is most persuasive where Face, Control and album can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as album by Handsome Furs. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Aug 13, 2025. The linked authority identifier is Q5428322. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2009.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Face Control”, its source revision and the description used here.
  2. Expand the search: follow Face Control primary sources, Face Control archive and Face research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Face Control”?
  2. Which edition, object, performance or recording is being described?
  3. Where is authorship, date or provenance documented?
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Source & attribution

This entry incorporates text from Face Control” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.