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CineAlta

series of digital movie cameras

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 8, 2026
Entity authorityQ2575486
Source-derived summary

CineAlta cameras are a series of professional digital movie cameras produced by Sony that replicate many of the same features of 35mm film motion picture cameras.

Concept

CineAlta is a brand name used by Sony to describe various products involved in content creation, production and exhibition process within digital cinema workflow. The first product in the CineAlta line was the Sony HDW-F900, which was also the first HD camera that could shoot at 24 frames per second in true progressive scan. Since then the CineAlta product line has come to include cameras, recorders, cinema servers and projectors. "CineAlta" is a portmanteau of Cine, from cinematography, and Alta, an Italian word for "high".

Logo

The original CineAlta logo was designed by Hiroki Oka, Chief Art Director of Sony CreativeWorks Corporation, based at the Sony Technology Center in Atsugi. The twinned ribbons represent the marriage of film and videotape, arranged in a way to deliberately evoke the infinity symbol, to symbolize the infinite possibilities. An updated version of the logo, designed by Tetsuro Sano, was used for the first time in branding for the F65.

Format

CineAlta cameras record onto HDCAM tapes, XDCAM Professional Discs, SRMemory, or SxS flash memory cards. They have the ability to shoot at various frame rates including 24fps and a resolution of up to 8K. The camera can be used with a Miranda DVC 802 converter.

Editorial summary

Begin with the source’s own compact description: “CineAlta” is series of digital movie cameras. The dossier treats that line as a proposition to test through CineAlta, series and digital, not as a finished interpretation.

Editorial reviewA practical starting point whose main value is the path it opens into stronger specialist and primary sources. The current 229-word lead offers orientation but no explicit four-digit date, so chronology should not be assumed. The selected authority fields contribute no independent date. For this dossier, CineAlta, series and digital is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “series of digital movie cameras” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

The citation trail is more important than the brevity of the summary: it shows where individual claims can be examined in context. The source revision retrieved here is dated Sep 8, 2026. The linked authority identifier is Q2575486. None of the 0 selected statements returned an explicit reference.

Critical limits

Overview language is designed for orientation and should not be treated as a substitute for the evidence cited beneath it. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

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  2. Expand the search: follow CineAlta primary sources, CineAlta archive and CineAlta research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

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Source & attribution

This entry incorporates text from CineAlta” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.