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Ezzatolah Entezami

Iranian actor (1924–2018)

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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 31, 2026
Entity authorityQ360665 ↗
Source-derived summary

Ezzatollah Entezami, or Ezzatolah Entezami (Persian: عزت‌الله انتظامی; 21 June 1924 – 17 August 2018) was an Iranian actor.

Career

Ezzatolah Entezami started his career on stage in 1941 and graduated from theatre and cinema school in Hanover, Germany in 1958. He has been acting in movies since 1969. His debut performance was in Darius Mehrjui’s film, The Cow. He shined in the role of a naive villager who cannot endure the death of his beloved cow and starts to believe that he is the cow himself.

Entezami was known as one of the most prominent actors in Iranian cinema and has been labeled as the greatest actor in the history of the cinema of Iran. He worked with most of the prominent Iranian film directors, including Darius Mehrjui (eight films), Ali Hatami (four films), Nasser Taqvaee, Mohsen Makhmalbaf, Behrouz Afkhami and Rakhshan Bani-Etemad. He was awarded the Crystal Simorgh for the Best Actor twice from the International Fajr Film Festival, for Grand Cinema and The Day of Angel. His work and accomplishments were recognized in October 2006 at the Iran cultural center in Paris.

Entezami, Ali Nasirian, Mohammad Ali Keshavarz, Jamshid Mashayekhi and Davoud Rashidi are known as "the five most important actors in the history of Iranian cinema" because of their influence.

Editorial summary

This brief starts where responsible research should: with the source description of “Ezzatolah Entezami” as iranian actor (1924–2018). Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA useful biographical orientation record, particularly for establishing names, roles and a first chronology. The current lead gives the account dated anchors—1924, 2018, 1941, 1958—that can be checked directly. The linked authority record independently contributes the date 1924-06-21. The account is most persuasive where Ezzatolah, Entezami and Iranian can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the people & ideas register because the source frames it as iranian actor (1924–2018). Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated Aug 31, 2026. The linked authority identifier is Q360665. VIAF identifies the subject as 164431186. The Library of Congress control number is nr98016830. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1924, 2018, 1941 and 1958.

Critical limits

A concise life account rarely captures disputed attribution, private networks or the changing language used to describe a career. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
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Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Ezzatolah Entezami”, its source revision and the description used here.
  2. Expand the search: follow Ezzatolah Entezami primary sources, Ezzatolah Entezami archive and Ezzatolah research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Ezzatolah Entezami”?
  2. Which claims depend on a single source or contested interpretation?
  3. Which primary records establish identity, chronology and institutional ties?
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Source & attribution

This entry incorporates text from “Ezzatolah Entezami” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.