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Extracts from Music for White Cube, London 1997

1997 studio album by Brian Eno

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 8, 2024
Entity authorityQ5422195 ↗
Source-derived summary

Extracts from Music for White Cube, London 1997 is the fifteenth solo studio album from British musician Brian Eno, released in 1997.

Overview

The album is an Opal release, with no catalogue number.

The music on the album was made for an Installation—a show featuring music and visuals—that took place at the White Cube art gallery in London, from 25 April to 31 May 1997.

The gallery describes itself as "possibly the smallest exhibition space in Europe", and consists of a simple square room, painted white. During the show, white blinds covered the two windows in one wall and a suspended ceiling muffled lights that were suspended above it. Mounted on each of the four walls was a CD-player with two speakers on either side, playing random tracks.

Eno created the music by selecting random sites situated within a one-mile radius of the White Cube and recording a variety of ambient sounds around him, such as crowd-noise, the ringing bells of clock-towers, weather and rushing traffic. On top of this he also recorded himself singing a single, long note at each location.

Taking the raw recordings back to his London studio, he ran them through a variety of enhancement software/hardware to produce a series of time-stretched, compressed, equalised, reverberating compositions, which he burned onto CDs (8 to 16 tracks on each). These were the discs that were fed into the Installation players and set to 'random'.

Editorial summary

The public source identifies “Extracts from Music for White Cube, London 1997” as 1997 studio album by Brian Eno. This brief keeps that definition visible, then builds a research path around Extracts, Music and White.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1997—that can be checked directly. The linked authority record independently contributes the date 1997. Its value is orientation rather than verdict, with Extracts, Music and White providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Extracts from Music for White Cube, London 1997”, the useful work is to connect “1997 studio album by Brian Eno” to the records capable of establishing context and consequence.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Aug 8, 2024. The linked authority identifier is Q5422195. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1997.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

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Questions for further research

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Source & attribution

This entry incorporates text from “Extracts from Music for White Cube, London 1997” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.