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Eurovision Song Contest 1977

22nd edition of the Eurovision Song Contest

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 18, 2026
Entity authorityQ211494 ↗
Source-derived summary

The Eurovision Song Contest 1977 was the 22nd edition of the Eurovision Song Contest, held on 7 May 1977 at the Wembley Conference Centre in London, United Kingdom, and presented by Angela Rippon. It was organised by the European Broadcasting Union (EBU) and host broadcaster the British Broadcasting Corporation (BBC), who staged the event after winning the 1976 contest for the United Kingdom with the song "Save Your Kisses for Me" by Brotherhood of Man. It was the first time the event took place in the month of May since the first contest in 1956.

Broadcasters from eighteen countries participated in the contest; Sweden returned after its absence from the previous edition, while Yugoslavia decided not to enter.

The winner was France with the song "L'Oiseau et l'Enfant", performed by Marie Myriam, written by Joe Gracy, and composed by Jean-Paul Cara. The United Kingdom, Ireland, Monaco and Greece rounded out the top five. Greece's fifth place finish was their best result up to that point. France's fifth win was also a record at the time, and one that France held onto for six years, until being equalled by Luxembourg in 1983.

Location

The British Broadcasting Corporation (BBC) staged the contest at the Wembley Conference Centre. The venue was the first purpose-built conference centre in the United Kingdom, and opened on 31 January 1977—making it a newly built venue at the time.

Editorial summary

The public source identifies “Eurovision Song Contest 1977” as 22nd edition of the Eurovision Song Contest. This brief keeps that definition visible, then builds a research path around Eurovision, Song and Contest.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1977, 1976, 1956, 1983—that can be checked directly. The selected authority fields contribute no independent date. Its value is orientation rather than verdict, with Eurovision, Song and Contest providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Eurovision Song Contest 1977”, the useful work is to connect “22nd edition of the Eurovision Song Contest” to the records capable of establishing context and consequence.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Sep 18, 2026. The linked authority identifier is Q211494. Authority coordinates are 51.557, -0.285. 2 of 2 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1977, 1976, 1956 and 1983.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Eurovision Song Contest 1977”, its source revision and the description used here.
  2. Expand the search: follow Eurovision Song Contest 1977 primary sources, Eurovision Song Contest 1977 archive and Eurovision research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Eurovision Song Contest 1977”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from “Eurovision Song Contest 1977” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.